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Sotto la cupola di vetro della Royal Albert Hall, nel cuore pulsante di Londra, due uomini giocano a tennis nel silenzio di una sala da cinquemila persone, vuota. Derek Morgan, trader di una grande banca americana, può avere per sé qualsiasi posto. È uno che può tutto. All'italiano che saltella dall'altra parte della rete, Massimo De Ruggero, sta per annunciare che tornerà alla casa madre di New York e che ha scelto lui come successore: significa cinquanta milioni di dollari all'anno e un potere enorme, superiore a quello di qualunque politico. Quando è partito da Roma, Massimo voleva salire in alto, fino alla cima della piramide, e vedere il futuro prima degli altri. Adesso ce l'ha fa...
When we think of the Italian Mafia, we think of Marlon Brando, Tony Soprano, and the Corleones iconic actors and characters who give shady dealings a mythical pop presence. Yet these sensational depictions take us only so far. The true story of the Mafia reveals both an organization and mindset dedicated to the preservation of tradition. It is no accident that the rise of the Mafia coincided with the unification of Italy and the influx of immigrants into America. The Mafia means more than a horse head under the sheets it functions as an alternative to the state, providing its own social and political justice. Combining a nuanced history with a unique counternarrative concerning stereotypes o...
The New York Times bestseller hailed as "the best business book of 2010" (Huffington Post). As soon as the financial crisis erupted, the finger-pointing began. Should the blame fall on Wall Street, Main Street, or Pennsylvania Avenue? On greedy traders, misguided regulators, sleazy subprime companies, cowardly legislators, or clueless home buyers? According to Bethany McLean and Joe Nocera, two of America's most acclaimed business journalists, the real answer is all of the above-and more. Many devils helped bring hell to the economy. And the full story, in all of its complexity and detail, is like the legend of the blind men and the elephant. Almost everyone has missed the big picture. Almos...
Read the inspiration for the Netflix original series Summertime, a "deep, passionate romance that transcends time and age" (Booklist). Babi and Step are the Romeo and Juliet of their time, spending the best days of their lives together in the Eternal City, but belonging to opposite worlds may eventually tear them apart. It begins with a chance meeting at a traffic light, one that draws a young woman’s attention to the stranger on a motorbike. In that one moment, the fates of Babi Gervasi and Step Mancini are altered. Babi, poised on the brink of a predictable future, will risk everything to be with Step. Step, running from his past, will find the one thing missing from his life. Sharing days on the streets of Rome and nights under a blanket of stars, they belong in each other’s arms. Even as they fear their time together will be brief, they know their hearts will remember forever.
The fourth Guerrieri in the series. An investigation into the disappearance of a poor little rich girl in Southern Italy.
With his typically perceptive insights, Levi writes evocatively on his experiences in India, including his interview with Pandit Nehru, his tour of a tent city at a political convention, and his meeting with a Hindu nationalist party. This only available edition of a fascinating account of his impressions of the subcontinent is a valuable addition to the tradition of Western writing on India, made all the more fascinating by the influence that Levi’s famous memoir of exile Christ Stopped at Ebolihas had on many Indian intellectuals. Published in 1945, that account of his time spent in exile in Italy after being arrested in connection with his political activism introduced the trend toward social realism in post-war Italian literature.
Winner of the 2011 Strega Prize, this blend of essay, social criticism, and memoir is a striking portrait of the effects of globalization on Italy’s declining economy. Starting from his family’s textile factory in Prato, Tuscany, Edoardo Nesi examines the recent shifts in Italy’s manufacturing industry. Only one generation ago, Prato was a thriving industrial center that prided itself on craftsmanship and quality. But during the last decade, cheaply made goods—produced overseas or in Italy by poorly paid immigrants—saturated the market, making it impossible for Italian companies to keep up. In 2004 his family was forced to sell the textile factory. How this could have happened? Nesi asks, and what are the wider repercussions of losing businesses like his family’s, especially for Italian culture? Story of My People is a denouncement of big business, corrupt politicians, the arrogance of economists, and cheap manufacturing. It’s a must-read for anyone seeking insight into the financial crisis that’s striking Europe today.
In this courageous, inventive, irreverent, and shrewd novel, Viola Di Grado tells the story of a suicide and what follows. She gives voice to an astonishing vision of life after life, portraying the awful longing and sense of loss that plague the dead, together with the solitude provoked by the impossibility of communicating. The afterlife itself is seen as a dark, seething place where one is preyed upon by the cruel and unrelenting elements. Hollow Heart will frighten as it provokes, enlighten as it causes concern. If ever there were a novel that follows Kafka’s prescription for a book to be an axe for the frozen sea within us, it is Hollow Heart. In this, Di Grado’s second novel after 70% Acrylic 30% Wool, the twenty-seven-year-old prodigy gives proof of her reputation as a singular and explosive talent.
Fast-paced crime thriller set in Rome: Gomorrah meets House of Cards Suburra will be released as a Netflix original series in 2017 Criminals on the rise and senior members of the Italian mafia clash in and around Rome over the backing of an urban development bill that promises to turn the seaside town of Ostia into a gambling paradise. The problems plaguing the political system of contemporary Italy are played out against this florid, cinematic background. Before the end of Berlusconi's days, a massive real estate development bill that will bury the city's outskirts under tons of cement remains on the floor in the Italian parliament. Ostia, a small dot of a town on the coast, could become It...
Do 21st-century women and men still believe that museums can, through the way they display art, help shape their visitors' sense of the dignity of the person? Through the readings of history and style which they propose, can museums help bridge the gap that today seems to separate present from past, isolating individuals and groups in a contemporaneity without roots? If so, how? If not, why?