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Dublin during the nineteenth century could be an unforgiving city, especially for the unwary. Established in 1836, the Metropolitan Police who patrolled its dark alleys and streets fought running battles with violent tenement mobs, Fenian rebels, street gangs and self-proclaimed kings. The Peeler's Notebook introduces the reader to a host of forgotten Victorian dangers, from rabid dogs and disease epidemics to garrotte-wielding thieves who plied their trade in the ever-present fog. Drawing on a selection of archival sources and newspaper accounts, this book casts fresh light on one of the liveliest eras in the history of Irish policing; in the process adding a raucous, sometimes poignant miscellany of tales to the story of Dublin's past.
From the late nineteenth century through the early twentieth century, the story of the Israelites’ liberation from bondage in Egypt served as the archetypal narrative for the birth of the Irish nation. Exodus was critical to both colonial and anticolonial conceptions of Ireland and Irishness. Although the Irish–Israelite analogy has been cited often, a thorough exploration has never before been documented. Bender successfully fills this gap with Israelites in Erin. Drawing upon both canonical and little-known texts of the Literary Revival, including works by Joyce, plays by Lady Gregory, and political writings by Charles Stewart Parnell and Patrick Pearse, Bender highlights the centralit...
This study offers a radical reassessment of a crucial period of political and cultural history. By looking at some 400 songs, many of which are made available to hear, and at their writers, singers, and audiences, it questions both our relationship with song, and ordinary Britons' relationship with Napoleon, the war, and the idea of Britain itself.
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This collection brings together all of W. B. Yeats’s published prose writings on Irish folklore, legend and myth, with pieces on subjects including ghosts, kidnappers, fairies, ancient tribes, precious stones and Gaelic love songs. Through his researches on Irish folklore, Yeats attempted to create a movement in literature that was enriched by and rooted in a vital native tradition. In this volume Yeats’s essays, introductions and sketches are presented chronologically, giving a clear picture of how his analysis developed, increasing in its depth and complexity in his quest to create an Ireland of the imagination.
Vols. 1- include the sections: Writings on Irish history, 1936- ; Research on Irish history in Irish, British and American universities, 1973/38- .