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From 'Mora gora ang lai le', his first film lyric written for Bimal Roy's Bandini in 1963, to the haunting 'Dil dhoondta hai' (Mausam) and 'Naam gum jayega' (Kinara), the unforgettable 'Humne dekhi hai un ankhon ki mehekti khushboo' (Khamoshi) and 'Is mod se jaate hain' (Aandhi), and the extraordinary 'Mera kuchh samaan' (Ijaazat) and 'Chupke se lag ja gale' (Saathiya), Gulzar has brought a rare poetic sensibility to popular Hindi film music over a fivedecade- long career. His sensitive portrayal of the many nuances of human relationships, his sophisticated insights into psychological complexities, his ability to capture the essence of nature's sounds and spoken dialects in written words, an...
'Papi says it is wrong of parents to presume that they know better, or know more than their child does. They may be biologically older than their child, but in their experience as parents, they're of the same age. So if I was his two-year-old daughter, he was my two-year-old father. And we were both learning and evolving together -- he as my father and me as his daughter.' All of us know Gulzar as a film-maker, screenplay and dialogue writer, lyricist par excellence, author and poet. Because He Is... presents a facet of the icon that none of us are aware of -- as a father. In iridescent prose, his daughter, Meghna, documents his life, revealing the man behind the legend: in every way a hands...
Personal. Intimate. Deeply moving. An absolutely unputdownable memoir. Do memories ever fade away? They never 'dry up', says Gulzar Saab, 'They keep floating somewhere between the conscious and the subconscious mind. It's a great feeling to swim there sometime. Pick up a few bubbly moments and cherish them again.' From Bimal Roy to Satyajit Ray, R.D. Burman, Kishore Kumar, Ritwik Ghatak, Hrishikesh Mukherjee, Pandit Ravi Shankar, Pandit Bhimsen Joshi, Mahasweta Devi and Samaresh Basu, among others, in this fascinating book, Gulzar Saab goes down memory lane to bring to light his relationship with the doyens of cinema, music and literature, who he had known and worked with over a long period ...
Gulzar, one of India’s finest film-makers and lyricists and has always been a poet at heart. His oeuvre is steeped in a poetic sensibility, marked by a lyricism rare in the world of Hindi cinema. Today, Gulzar is regarded as one of India’s foremost Urdu poets, unparalleled in his exploration of human relationships and the insight and sensitivity with which he addresses the many facets of daily life. The sophistication and cadences of Gulzar’s work come alive in this bilingual edition of some of his best poetry, sensitively translated by Pavan K. Varma.
Gulzar, one of India's finest film-makers and lyricists, has always been a poet at heart. His oeuvre is steeped in a poetic sensibility, marked by a lyricism rare in the world of Hindi cinema. Born in 1934, Gulzar's journey as a poet began with the Progressive Writers' movement. Today, he is regarded as one of India's foremost Urdu poets, unparalleled in his exploration of human relationships and the insight and sensitivity with which he addresses the many facets of daily life. Whether evoking an abiding nostalgia for yesterday ('The Heart Seeks'), lamenting the lack of time to spend with the beloved ('A Day to Spend'), or composing an elegy for a tree uprooted by a storm ('Amaltas'), Gulzar's poetry reflects his keen observation of life and the environment around him. The sophistication and cadences of Gulzar's work come alive in this bilingual selection of some of his best poetry, sensitively translated by Pavan K. Varma.
I have passed through this surgery a number of times. Mostly it has been skin-deep only. This is the first time it's an open-heart surgery - and Shailja is the Surgeon. She has touched deep down at the core of my poems. Most books about my works have not gone beyond the film lyrics or some popular ghazals - considering the popular choice of the people. But Shailja has gone beyond that and touched the soul. That's why I wrote to her once, "Your work is the best work on my works, so far!" I still stand by that statement. - GULZAR The Moonsmith Gulzar revolves around Gulzar's writings on some of the most significant themes of existence. It's a tribute to the way he writes about the intricacies of inner lives, the inextricable connection with nature, and the obscure dimensions of our existence. Shailja Chandra unravels how Gulzar awakens us to the majesty of the mundane that we commonly neglect. Chandra explores the profound depths of Gulzar's voice on each subject - to distill the essence where his signature poignancy, conscientiousness, or sagacity springs from.
In this richly entertaining book, Gulzar shares his life and passions with inimitable charm and candour. Poet, storyteller, director, scriptwriter and lyricist, Gulzar is a towering figure of contemporary Indian literature and cinema. Ever since he wrote his first song the unforgettable Mora gora ang lai le for Bimal Roys Bandini (1963) he has won countless admirers with his nuanced, sensitive and quietly innovative work. From the endearing Lakdi ki kaathi, that a generation grew up singing, to the Oscar-winning Jai ho his songs have enthralled millions. His unique and much acclaimed contribution to the world of poetry continues to reflect our changing times, with fresh idiom and delicate tu...
Ever been mesmerized by Gulzar’s songs? Delve into an unseen layer, a fresh perspective that brings new dimensions and meanings to his already powerful pieces of poetry. His rare verselets will make you fall in love once again.
It's the winter of 1946. A truck leaves the village of Campbellpur after news of the impending Partition pours in. It is carrying people who don't know where they will go. They have just heard words like 'border' and 'refugee', and are struggling to understand how drawing a line might carve out Pakistan from Hindustan. As they reach the border, the caravan disperses and people go their own ways. Gulzar's first novel tracks the lives of the people in that truck right from 1946 up to the Kargil war. A novel on what the Partition entailed for ordinary people, Do Log is also a meditation on the fact that the division of India and the carnage that followed, once set into motion, kept happening inexorably and ceaselessly, and people like those who left their homes on that truck never found another home; they kept looking for a place called home, a place to belong to.
The Hindi film song has held millions spellbound for nearly eight decades. In this unputdownable ‘labour of love’, India’s leading film song historian, Raju Bharatan, delves deep into his treasure trove to tell us how singing is all about romancing, how composing is all about feelings, how the twain, stardom and songdom, do meet to make the vintage film number a part of the nation’s psyche. He reconstructs song happenings over the last sixty years or so to condense the emotion and passion going into legendary star hook-ups, showing us how with the pairing comes the vibe, with the vibe comes the tune, and with the tune unfolds cinema that is a ‘Madhuballad’ all the way. This volum...