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A greater contrast between Whistler's outrageously flamboyant life - he was famously a friend of Oscar Wilde and Dante Gabriel Rossetti - and the subdued, touchingly melancholic style of the painting of his Puritan mother is hard to imagine. Painted in 1871, at the height of the Victorian age of family values, Whistler gave the painting the provocative modernist title Arrangement in Grey and Black. While restoring the painting for the Louvre, Sarah Walden was intrigued by its extraordinary and complex history which has hitherto never been fully uncovered. Delving deep in sources not available in the UK, she wrote this book of its complex birth which reads like a detective story. Her view of restoration (for which she received the support of Ernst Gombrich) is that it is more than a technical job, involving an aesthetic and historical approach.
Vols. for 1967-70 include as a section: Who's who of Rhodesia, Mauritius, Central and East Africa.
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Inspired by the revelation that the Sphinx had been weathered by water and not by wind-blown sand and was, therefore, thousands of years older than the oldest civilisation known to man, Colin Wilson sets out to explore the remote depths of history. The compelling argument of this bestselling book is that, thousands of years before Ancient Egypt and Greece held sway, there was a great civilisation whose ships travelled the world and who possessed some knowledge system that offered a unified view of the universe, alien to modern man. In this fascinating exploration of the world at a time when, according to Plato, the 'lost civilisation' of Atlantis was destroyed, the author makes a ground-breaking attempt to understand how these long-forgotten peoples thought, felt and communicated on a universal plane.