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The United Nations & Regional Security
Events in Europe over the past decade or so have created a dynamic requiring conceptual and practical adjustments on the part of the UN and a range of regional actors. This volume explores the resulting collaborative relationships in the context of peace operations in the Balkans.
French Musical Life
Explicitly or not, the historical musicology of post-Revolutionary France has focused on Paris as a proxy for the rest of the country. This distorting lens is the legacy of political and cultural struggle during the long nineteenth century, indicating a French Revolution unresolved both then and now. In light of the capital's power as the seat of a centralizing French state (which provincials found 'colonizing') and as a cosmopolitan musical crossroads of nineteenth-century Europe, the struggles inherent in creating sustainable musical cultures outside Paris, and in composing local and regionalist music, are ripe for analysis. Replacement of 'France' with Paris has encouraged normative histo...
Diplomatic Departures
During the nine years that the Conservatives under Brian Mulroney held power in Ottawa, Canadian foreign policy underwent a series of important departures from established policy. Some of these changes mirrored the major transformations in global politics that occurred during this period as the Berlin Wall was breached, the Cold War came to an end, and a globalized economy emerged. But some of the changes were the results of initiatives taken by the Conservative government. The first major scholarly examination of the foreign policy of this period, this collection explores and analyzes the many departures from traditional Canadian statecraft that took place during the Mulroney Conservative era: free trade with the U.S., a continentalized energy policy, initiatives over the environment and the Arctic, the withdrawal of Canadian forces from Europe, and the transformation of peacekeeping into peacemaking.
A World More Equal
The post–World War II period is typically seen as a time of stark division, an epochal global conflict between the United States and the Soviet Union. But beneath the surface, the postwar era witnessed a striking degree of international cooperation. The United Nations and its agencies, as well as regional organizations, international nongovernmental organizations, and private foundations brought together actors from conflicting worlds, fostering international collaboration across the geopolitical and ideological divisions of the Cold War. Diving into the archives of these organizations and associations, Sandrine Kott provides a new account of the Cold War that foregrounds the rise of inter...
Handbook of Canadian Foreign Policy
Handbook of Canadian Foreign Policy is the most comprehensive book of its kind, offering an updated examination of Canada's international role some 15 years after the dismantling of the Berlin Wall ushered in a new era in world politics. Tackling recent developments in Canadian foreign policy, the authors of this work spotlight Canadian idiosyncrasies within a global context that are defined by wrenching juxtapositions. The specialists who have contributed their expertise to this book provide sophisticated analysis-conceptual as well as historical-rather than simply impressionistic judgments about contemporary events. Highlighting both well-known and understudied topics, this handbook presents a marriage of the familiar and the underappreciated that enables readers to grasp much of the complexity of current Canadian foreign policy and appreciate the challenges policymakers must meet in the early 21st century.
International Security and Democracy
Dominguez has drawn together fifteen leading scholars on international relations and comparative politics from Latin America, the Caribbean, and the United States, thus bringing to bear varying national perspectives from several corners of the hemisphere to analyze the intersection between regional security issues and the democracy building process in Latin America.
Canada's Voice
It is hard to imagine a person who embodied the ideals of postwar Canadian foreign policy more than John Wendell Holmes. Holmes joined the foreign service in 1943, headed the Canadian Institute of International Affairs from 1960 to 1973, and, as a professor of international relations, mentored a generation of students and scholars. This book charts the life of a diplomat and public intellectual who influenced both how scholars and statespeople abroad viewed Canada and how Canadians saw themselves on the world stage.
Ibss: Political Science: 1994
The IBSS is the essential tool for librarians, university departments, research institutions and any public or private institution whose work requires access to up-to-date and comprehensive knowledge of the social sciences.
The French Symphony at the Fin de Siècle
In this first full-length study of the symphony in late nineteenth- and early twentieth-century France, Andrew Deruchie provides extended critical discussion of seven of the most influential and frequently performed works of the era, by Camille Saint-Sa ns, C sar Franck, douard Lalo, Vincent d'Indy, and Paul Dukas. The volume explores how these symphonists modernized the art form yet preserved many of the formal and rhetorical conventions of the canon, reconciling, in particular, Beethoven's symphonic legacy with the musical culture, intellectual environment, and political milieu of fin-de-si cle France. Drawing on contemporary criticism, music histories, composers' prose, and unpublished sketches, Deruchie's readings offer fresh insights on issues of musical form and technique, and also move beyond the notes to consider questions of meaning. Andrew Deruchie is a lecturer in musicology at the University of Otago (New Zealand).
National Performance
In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's image-theatre, Marco Micone's writing practices, Celine Dion's popular music, and feminist performance of the 1970s and 80s, Hurley reveals the ways in which certain performances come to be understood as 'national' while others are relegated to sub-nat...
