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The stranger (survenant) represents an important theme in Quebec literature of the second half of the twentieth century. This book analyses the role of the survenant in five major novels dating from 1945 to 1992 and shows how the theme is constantly reworked and revitalised by the authors selected. The arrival of a survenant in a community brings to the surface the conflicts and tensions which had been latent. The consequences can be tragic for all concerned. At the least the community is changed forever. This is the first study of the way in which different Quebecois authors treat the survenant and should be of interest to all students of Quebec literature and culture.
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"New offers an unconventionally structured overview of Canadian literature, from Native American mythologies to contemporary texts." Publishers Weekly A History of Canadian Literature looks at the work of writers and the social and cultural contexts that helped shape their preoccupations and direct their choice of literary form. W.H. New explains how – from early records of oral tales to the writing strategies of the early twenty-first century – writer, reader, literature, and society are interrelated. New discusses both Aboriginal and European mythologies, looking at pre-Contact narratives and also at the way Contact experience altered hierarchies of literary value. He then considers re...
Émile Nelligan (1879–1941) wrote all of his poetry as an adolescent, before spending four decades in a psychiatric asylum. Considering all of Nelligan's work and using a largely textual approach, Émile Talbot points out the Canadian roots of Nelligan's originality. He argues that these are discernable despite Nelligan's use of the discourse of nineteenth-century continental French poetry, particularly that of the Parnassians and the Decadents. Talbot's textual analysis is integrated with a consideration of the social, cultural, artistic, and religious climate of both late nineteenth-century Montreal and the European literary culture to which Nelligan was responding. Talbot considers such pertinent factors as the spirituality of guilt, the role of the mother, and a societal context that rejected both the revelation of the self and the autonomy of art. In doing so he sheds new light on Nelligan's use of European poetic language to fashion a poetry marked by his own culture.
Written by two of Quebec's most respected historians, A Short History of Quebec offers a concise yet comprehensive overview of the province from the pre-contact native period to the present-day. John A. Dickinson and Brian Young bring a refreshing perspective to the history of Quebec, focusing on the social and economic development of the region as well as the identity issues of its diverse peoples. This revised fourth edition covers Quebec's recent political history and includes an updated bibliography and chronology and new illustrations. A Canadian classic, A Short History of Quebec now takes into account such issues as the 1995 referendum, recent ideological shifts and societal changes, considers Quebec's place in North America in the light of NAFTA, and offers reflections on the Grard Bouchard-Charles Taylor Commission on Accommodation and Cultural Differences in 2008. Engagingly written, this expanded and updated fourth edition is an ideal place to learn about the dynamic history of Quebec.
French novels such as "Madame Bovary" and "The Stranger" are staples of high school and college literature courses. This work provides coverage of the French novel since its origins in the 16th century, with an emphasis on novels most commonly studied in high school and college courses in world literature and in French culture and civilization.
What is center and periphery? How can centers and peripheries be recognized by their ontological and axiological features? How does the axiological saturation of a literary field condition aesthetics? How did these factors transform center-periphery relationships to the former metropolises of Romance literatures of the Americas and Africa? What are the consequences of various deperipheralization contexts and processes for poetics? Using theoretical sections and case studies, this book surveys and investigates the limits of globalization. Through explorations of the intercultural dynamics, the aesthetic contributions of former peripheries are examined in terms of the transformative nature of peripheries on centralities.
An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. The question 'What is Québécois literature?' may seem innocent and answerable, yet Rosemary Chapman's compelling study shows that to answer it is to chart the cultural history of French Canada, to put francophone writing in Canada in postcolonial context and to ask whether literary history, with its focus on the nation, is in fact obsolete. This remarkable book will be compulsory reading for scholars well-versed in francophone postcolonial studies and will also act as an ideal introduction for Anglophone scholars of Canadian literature.