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Letter to the unknown woman across the street, I Curtains, blinds, draperies, shades, no, nothing Madame, to conceal from your Cyclops’ eye in the shadows from which it spies on me this long pale body, false corpse tired out with debauchery, which is swooning too before your balcony, with your drying stockings and scanties of a nun at bay— poisonous flowers for a lonely man whom death panics, draws erect, demarrows in the night, riveted to your white thighs. Readers who denounce most contemporary French poetry as self-referential experimentation, word games, exercises in deconstruction, or other kinds of incomprehensible writing disconnected from everyday life—brace yourselves for a re...
This critical work explores written and visual texts in light of the writer's understanding of negative modernity and professed adherence to its dimension of literality. In his pursuit of literality, contemporary writer-poet Emmanuel Hocquard enacts a model of the "discontinuous organization of language," a poetic practice known to some as an "action poetique." This book gives special attention to essays, letters, poems, fictions, etc. and also pursues the poet's attraction to Deleuze, Wittgenstein, and Rousseau. Professor Fetzer presents features of Hocquard's writings that reflect the imprint of negative modernity and explores these dimensions through interpretive readings.
This book finds its origin partly in the International Colloquium on French and Francophone Literature in the 1990's at Dalhousie University, September 1998. number of the papers, since reworked, take their place here alongside other studies subsequently invited. They form a broad and varyingly focused set of cogent and pertinent appraisals of very recent French, and francophone, poetic practice and its shifting, becoming conceptual underpinnings.
Provides a listing available of books, articles, and book reviews concerned with French literature since 1885. This work is a reference source in the study of modern French literature and culture. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema.
This closely focused study of the inner movements, dynamic tensions and tactile richness of an intensely sensual but deeply searching poetry, is the first full-length monograph devoted to one of France’s foremost contemporary woman poets. Marie-Claire Bancquart’s work explores, primarily through the vulnerabilities and sensitivities of the body (hence this book’s ‘carnal’ title), the possibility of releasing a cry: a salvation of language and spirit from indifference, abstraction and dehumanisation, a celebration of a moment’s reunion with the recreative vitality of the physical universe, an act of love in its most private yet cosmic expression. Bancquart has described her langua...
In Earth and Mind : Dreaming, Writing, Being Michael Bishop examines the very recent work of nine major contemporary French and Francophone writers : Yves Bonnefoy, Jacqueline Risset, Salah Stétié, Vénus Khoury-Ghata, Tahar Ben Jelloun, André Velter, Marie-Claire Bancquart, Jean-Claude Pinson and Jacques Dupin. The issue of writing’s complex relation to the experience of the earth is of central pertinence, involving questions of dreaming, voice, figurativity, emotion, desire, revolt, metaphysics, meaning, poiein and being. Discussion entails close reading of works as well as broad contextualisation and a sensitivity to interrelevancies from writer to writer. Bishop’s book is intended as a companion to his 2014 Dystopie et poïein, agnose et reconnaissance. Seize études sur la poésie française et francophone contemporaine.
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This series of bibliographical references is one of the most important tools for research in modern and contemporary French literature. No other bibliography represents the scholarly activities and publications of these fields as completely.