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Emmanuel Hocquard and the Poetics of Negative Modernity
This critical work explores written and visual texts in light of the writer's understanding of negative modernity and professed adherence to its dimension of literality. In his pursuit of literality, contemporary writer-poet Emmanuel Hocquard enacts a model of the "discontinuous organization of language," a poetic practice known to some as an "action poetique." This book gives special attention to essays, letters, poems, fictions, etc. and also pursues the poet's attraction to Deleuze, Wittgenstein, and Rousseau. Professor Fetzer presents features of Hocquard's writings that reflect the imprint of negative modernity and explores these dimensions through interpretive readings.
En passant
" Ces poèmes ont une triple origine. 1/ Une petite fille disant : "La poésie, c'est quand il y a des mots, et qu'on dit "Ah oui ! " en levant les yeux" à un journaliste venu l'interroger après un atelier d'écriture. Ma volonté de trouver une équivalence aux haïkus japonais dans notre système d'écriture. 2/ Les voyages qui nous amène à court-circuiter l'analyse en gardant une impression qui s'est imposée alors qu'on passait par hasard. 3/ Une invitation à lire plusieurs fois 3 minutes lors d'un festival qui m'a amené à les réunir dans une forme dépendant beaucoup du silence ". Ainsi parle Gérard Noiret de la conception de ce livre écrit sur plusieurs années, mais qui est en vérité un choix dans un ensemble beaucoup vaste, fait de notations (parfois proches du haïku donc) ; elles sont bien souvent de pures sensations transcrites dans l'instant et retravaillées légèrement ensuite. A la fois tendres et humoristiques, ces petites visions (ou flashes) du quotidien sont empreintes d'une certaine mélancolie portée par la fugacité de ces rêveuses sensations...
Contemporary French Poetics
This book finds its origin partly in the International Colloquium on French and Francophone Literature in the 1990's at Dalhousie University, September 1998. number of the papers, since reworked, take their place here alongside other studies subsequently invited. They form a broad and varyingly focused set of cogent and pertinent appraisals of very recent French, and francophone, poetic practice and its shifting, becoming conceptual underpinnings.
In the Flesh of the Text
This closely focused study of the inner movements, dynamic tensions and tactile richness of an intensely sensual but deeply searching poetry, is the first full-length monograph devoted to one of France’s foremost contemporary woman poets. Marie-Claire Bancquart’s work explores, primarily through the vulnerabilities and sensitivities of the body (hence this book’s ‘carnal’ title), the possibility of releasing a cry: a salvation of language and spirit from indifference, abstraction and dehumanisation, a celebration of a moment’s reunion with the recreative vitality of the physical universe, an act of love in its most private yet cosmic expression. Bancquart has described her langua...
Charlestown Blues
Letter to the unknown woman across the street, I Curtains, blinds, draperies, shades, no, nothing Madame, to conceal from your Cyclops’ eye in the shadows from which it spies on me this long pale body, false corpse tired out with debauchery, which is swooning too before your balcony, with your drying stockings and scanties of a nun at bay— poisonous flowers for a lonely man whom death panics, draws erect, demarrows in the night, riveted to your white thighs. Readers who denounce most contemporary French poetry as self-referential experimentation, word games, exercises in deconstruction, or other kinds of incomprehensible writing disconnected from everyday life—brace yourselves for a re...
French XX Bibliography
Provides a listing available of books, articles, and book reviews concerned with French literature since 1885. This work is a reference source in the study of modern French literature and culture. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema.
