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The Glory of Byzantium
Serves as both visual and textual record of the exhibition of the same name, surveying the art of the Middle Byzantine period from the restoration of the use of icons by the Orthodox Church in 843 to the occupation of Constantinople by the Crusader forces from the West from 1204 to 1261. Conceived as a sequel to the 1976 exhibition "Age of Spirituality," which focused on the first centuries of Byzantium. Preceding the catalogue, 17 essays treat the historical context, religious sphere, and secular courtly realm of the empire, and the interactions between Byzantium and other medieval cultures. Abundantly illustrated. Annotation copyrighted by Book News, Inc., Portland, OR
Mudéjar Art. Islamic Aesthetics in Christian Art
MUDÉJAR ART: Islamic Aesthetics in Christian Art reveals the fascinating exuberance of a unique cultural and artistic symbiosis that characterises Christian Spain after the Reconquista. The Mudéjars were Muslims allowed to stay in the reconquered territories. Their artists and artisans strongly influenced the culture and art of the new Christian kingdoms. In Aragon, Castille, Extremadura and Andalucía sumptuously decorated brick churches, monasteries and palaces illustrate perfectly the creative endurance of Islamic forms in Christian art between the 11th and 16th centuries in Spain. Thirteen Itineraries invite you to discover 124 museums, monuments and sites in Madrid, Guadalajara, Saragossa, Tordesillas, Toledo, Guadalupe and Seville (among others). With Index of Locations.
Muslim Military Architecture in Greater Syria
Crusader castles have been the subject of academic study for well over a century but the castles constructed by Muslim powers in greater Syria have been comparatively neglected. This series of studies looks at key developments and monuments in the history of Muslim military architecture in Syria from its beginnings under the Umayyads (661-750) down to Ottoman times. These studies range from ground-breaking archaeological studies to wide-ranging analysis of broader trends. The work is fully illustrated with photographs and plans, most of them never published before.
As I See It: Selected Writings of Leo Sarkisian
As I See It is a collection of essays on Armenian-American culture, politics, and current affairs by the late Leo Sarkisian (1934-1992), a prolific writer, commentator and activist who served for many years as regional chairman of the Armenian National Committee. During five decades of political activism, Sarkisian became widely regarded as a leader in the effort to promote and modernize the Armenian Cause. Working on behalf of the Armenian National Committee, Sarkisian was instrumental in politicizing the Armenian Genocide issue and worked in numerous forums- the United Nations, the United States Congress, the media, public schools, and grassroots coalitions - to present the story of dispossessed people as an international question of contemporary relevance. The book is arranged into six sections, entitled "Early Writings," "Armenian-American Community Life," "The Armenian Self-Image," "The Armenian Genocide," "International Politics," and "Armenian-American Culture." The essays contained therein were written between 1951 and 1992, during Sarkisian's several stints as a columnist for The Armenian Weekly.
Bibliography of Art and Architecture in the Islamic World (2 vols.)
Following the tradition and style of the acclaimed Index Islamicus, the editors have created this new Bibliography of Art and Architecture in the Islamic World. The editors have surveyed and annotated a wide range of books and articles from collected volumes and journals published in all European languages (except Turkish) between 1906 and 2011. This comprehensive bibliography is an indispensable tool for everyone involved in the study of material culture in Muslim societies.
Anatolian Iron Ages 3
The twenty-seven papers in this collection come from the Third Anatolian Iron Ages Colloquium held at Van, Turkey, in 1990. Contributors include: M U Anabolu (The meander motif in Iron Age south-western Anatolia); O Belli (Urartian dams in eastern Anatolia); C Burney (Urartu and Iran); D Collon (Urzana of Musasir's seal); A Cilingiroglu (Excavations at the fortress of Ayanis); H Gonnet (The cemetery and rock-cut tombs of Beykoy in Phrgyia); J D Hawkins (The end of the Bronze Age in Anatolia); W Kleiss (The chronology of Urartian defensive architecture); A Ramage (Early Iron Age Sardis and its neighbours); J Reade (Campaigning around Musasir); L E Roller (The Phrygian character of Kybele); K S Rubinson (Eastern Anatolia before the Iron Age); G K Sams (Aspects of early Phrygian architecture at Gordion); V Sevin (Excavations at the Van castle mound); G D Summers (Grey Ware and the eastern limits of Phrygia); M M Voigt (Excavations at Gordion 1988-89); R Yildirim (The Urartian furniture fragments in Elazig Museum); L Zoroglu (Cilicia Tracheia in the Iron Age).
Byzantium
The fall of the Byzantine capital of Constantinople to the Latin West in 1204 during the Fourth Crusade abruptly interrupted nearly nine hundred years of artistic and cultural traditions. In 1261, however, the Byzantine general Michael VIII Palaiologos triumphantly re-entered Constantinople and reclaimed the seat of the empire, initiating a resurgence of art and culture that would continue for nearly three hundred years, not only in the waning empire itself but also among rival Eastern Christian nations eager to assume its legacy. Byzantium: Faith and Power (1261–1557), and the groundbreaking exhibition that it accompanies, explores the artistic and cultural flowering of the last centuries...
