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This whimsical collection of poetry by H. D. Rawnsley offers a delightful glimpse into the natural beauty of the Lake District region. With its charming ballads, pastoral bucolics, and rousing patriotic odes, this volume showcases the full range of Rawnsley's lyrical talents. Whether you're a longtime fan or a first-time reader, you're sure to find something to love in this enchanting collection. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Welcome to the picturesque world of H. D. Rawnsley's Lake Country Sketches, a delightful collection of essays that capture the beauty and charm of England's Lake District. Join Rawnsley on a journey through the stunning landscapes and tranquil lakes that have inspired poets and artists for centuries. Through vivid descriptions and personal reflections, Rawnsley brings to life the unique character of the Lake District, from its rolling hills to its sparkling waters. Rawnsley's love for the region is evident in every page, as he explores the history, culture, and natural wonders that make the Lake District a beloved destination for travelers and nature enthusiasts alike. Since its publication,...
Volumes for 1898-1968 include a directory of publishers.
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Vols. for 1898-1968 include a directory of publishers.
Many years in preparation, this first volume of Lang and Shannon's edition of Tennyson's correspondence lives up to all expectations. In a comprehensive introduction the editors present not only the biographical background, with vivid portrayals of the dramatis personae, but also the story of the manuscripts, the ones that were destroyed and the many that luckily survived. The Tennyson who emerges in this volume is not a serene or Olympian figure. He is moody, impulsive, often reckless, now full of camaraderie, now plagued by anxiety or resentment, deeply attached to close friends and family and uninterested in the social scene. His early life is unenviable: we see glimpses of the embittered...