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Harvard Dictionary of Music
Contains nearly 1000 pages of precise and accessible information on all musical subjects.
Sociologists and Music
An Introduction to the Study of Music & Society.
Medieval Scholarship: Philosophy and the arts
First Published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.
Medieval Scholarship
This is the third of a three-volume set on medieval scholarship that presents original biographical essays on scholars whose work has shaped medieval studies for the past four hundred years. A companion to Volume 1: History and Volume 2: Literature and Philology, Volume 3: Philosophy and the Arts covers the lives of twenty eminent individuals-from Victor Cousin (1792-1867) to Georges Chehata Anawati (1905-1994) in Philosophy; from H.J.W. Tillyard (1881-1968) to Gustave Reese (1899-1977) in Music; and from Alois Riegl (1858-1905) to Louis Grodecki (1910-1982) in Art History-whose subjects were the art, music, and philosophical thought of Europe between 500-1500. The scholars of medieval philo...
Cultural Transfer of Music between Byzantium and the West?
This is the first comprehensive study of Greek language ordinary chants (Gloria/Doxa, Credo/Pisteuo, Sanctus/Hagios and Agnus Dei/Amnos tu theu) in Western manuscripts from the 9th to 14th centuries. These chants – known as “Missa Graeca” – have been the subject of academic research for over a hundred years. So far, however, research has been almost exclusively from a Western point of view, without knowledge of the Byzantine sources. For the first time, this book presents an in-depth analysis of these chants and their historical, linguistic and theological-liturgical environment from a Byzantine perspective. The new approach enables the author to refute numerous (and largely contradictory) theories on the origin and development of the Missa Graeca and provides new answers to old questions.
The Akathistos hymn
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Florentine Drama for Convent and Festival
A talented poet and a gifted dramatist, Antonia Pulci (1452-1501) pursued two vocations, first as a wife and later as founder of an Augustinian order. During and after her marriage, Pulci authored several sacre rappresentazioni—one-act plays on Christian subjects. Often written to be performed by nuns for female audiences, Pulci's plays focus closely on the concerns of women. Exploring the choice that Renaissance women had between marriage, the convent, or uncloistered religious life, Pulci's female characters do not merely glorify the religious life at the expense of the secular. Rather, these women consider and deal with the unwanted advances of men, negligent and abusive husbands and suitors, the dangers of childbearing, and the disappointments of child rearing. They manage households and kingdoms successfully. Pulci's heroines are thoughtful; their capacity for analysis and action regularly resolve the moral, filial, and religious crises of their husbands and admirers. Available in English for the first time, this volume recovers the long muted voice of an early and important female Italian poet and playwright.
The Bible in Arab Christianity
The contributions to this volume, which come from the Fifth Mingana Symposium, survey the use of the Bible and attitudes towards it in the early and classical Islamic periods. The authors explore such themes as early Christian translations of the Bible into Arabic, the use of verses from it to defend the truth of Christianity, to interpret the significance of Islam and to prove its error, Muslim accusations of corruption of the Bible, and the influences that affected production of Bibles in Muslims lands. The volume illustrates the centrality of the Bible to Arab Christians as a source of authority and information about their experiences under Islam, and the importance of upholding its authenticity in the face of Muslim criticisms. Contributors include: Samir Arbache, Mark Beaumont, Emmanouela Grypeou, Lucy-Anne Hunt, Juan Pedro Monferrer Sala, Said Gabriel Reynolds, Barbara Roggema, Harald Suermann and Mark Swanson.
