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Henry Purcell
"Henry Purcell set to music an entire age. Endlessly resourceful and dazzlingly innovatory, Purcell's music instantly evokes the energy and confidence of Restoration England. The age of Pepys and Dryden--of elegance, wit, and boundless creativity--gave birth to an audacious new theatre and, in Purcell's operas, to a new musical form. It was also an age of violence and suspicion. In the decade before Purcell's birth the people had executed their king. Treason was no longer unthinkable. Popish plots, coup attempts, invasion scares, international double-dealing... England seethed with conspiracies, real and imagined. Purcell, court musician to three reigns, was forced to tread a delicate path b...
Henry Purcell
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Henry Purcell
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Henry Purcell
Using a mix of broad stylistic observation and detailed analysis, Adams distinguishes between late-seventeenth-century English style in general and Purcell's style in particular, and chronicles the changes in the composer's approach to the main genres in which he worked, especially the newly emerging ode and English opera. As a result, Adams reveals that although Purcell went through a marked stylistic development, encompassing an unusually wide range of surface changes, special elements of his style remained constant.
Performing the Music of Henry Purcell
This book, published to coincide with the tercentenary of Purcell's death, is the first to be devoted to the performance of his music. The contributors--all leading scholars and performers--deal with issues of performance practice relating both to playing the music and staging the operas.
Henry Purcell
Henry Purcell's prolific output encompassed works for court, church and theatre. Within his short life-span (1659-95), he impressed his stamp on the music of the whole country; both as an organist at Westminster Abbey and as official composer to four monarchs. In the theatre, he collaborated with the greatest writers and poets of his age, including Dryden. Margaret Campbell tells the story of Purcell, painting a vibrant picture of the political, artistic and social world in which he lived, from his childhood in the Restoration and experiences of the Great Plague and the Great Fire to the complex politics of the later 17th century. New insights into Purcell's work are offered, including a controversial interpretation of the date of the opera "Dido and Aeneas."
Henry Purcell and the London Stage
This book was the first comprehensive survey of Purcell's dramatic music. It is concerned as much with the London theatre world - playhouses, poets, actors, singers, producers - as with the music itself. Purcell wrote music for more than fifty plays of various types, most of them produced at the Theatre Royal, Drury Lane, between 1690 and 1695. The songs, dialogues, choruses, act tunes and larger musical scenes are often active participants in the spoken drama, not simply grafted-on entertainments. The extraordinary semi-operas - Dioclesian, King Arthur, and The Fairy-Queen - are placed in the context of a theatre that thrived mainly on plays that, though less lavish, were no less musical. The traditional picture of a composer trapped within a degraded musical society, his natural predilection for opera ignored, is redrawn to show a consummate dramatist exploiting a remarkably musical theatre.
Purcell
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