Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Henry Purcell
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Henry Purcell
Henry Purcell's prolific output encompassed works for court, church and theatre. Within his short life-span (1659-95), he impressed his stamp on the music of the whole country; both as an organist at Westminster Abbey and as official composer to four monarchs. In the theatre, he collaborated with the greatest writers and poets of his age, including Dryden. Margaret Campbell tells the story of Purcell, painting a vibrant picture of the political, artistic and social world in which he lived, from his childhood in the Restoration and experiences of the Great Plague and the Great Fire to the complex politics of the later 17th century. New insights into Purcell's work are offered, including a controversial interpretation of the date of the opera "Dido and Aeneas."
Henry Purcell
"Henry Purcell set to music an entire age. Endlessly resourceful and dazzlingly innovatory, Purcell's music instantly evokes the energy and confidence of Restoration England. The age of Pepys and Dryden--of elegance, wit, and boundless creativity--gave birth to an audacious new theatre and, in Purcell's operas, to a new musical form. It was also an age of violence and suspicion. In the decade before Purcell's birth the people had executed their king. Treason was no longer unthinkable. Popish plots, coup attempts, invasion scares, international double-dealing... England seethed with conspiracies, real and imagined. Purcell, court musician to three reigns, was forced to tread a delicate path b...
Performing the Music of Henry Purcell
This book, published to coincide with the tercentenary of Purcell's death, is the first to be devoted to the performance of his music. The contributors--all leading scholars and performers--deal with issues of performance practice relating both to playing the music and staging the operas.
Purcell
In the chaos of the English Civil War and Puritan Commonwealth, churches were defaced and organs broken, but the tradition of fine music survived. When Charles II returned from exile in 1660, one of the first things he demanded was music, sacred and profane, anthems and motets, pavannes and gavottes. In 1659 Henry Purcell was born, and his genius would give the period and nation an unforgettable voice. Jonathan Keates traces Purcell's development against the turbulent movements of his time - political, religious, theatrical and social. He shows him growing up in the shadow of Westminster Abbey and follows him as a chorister in the Chapel Royal, copying the innovative and colourful style of M...
Henry Purcell
Using a mix of broad stylistic observation and detailed analysis, Adams distinguishes between late-seventeenth-century English style in general and Purcell's style in particular, and chronicles the changes in the composer's approach to the main genres in which he worked, especially the newly emerging ode and English opera. As a result, Adams reveals that although Purcell went through a marked stylistic development, encompassing an unusually wide range of surface changes, special elements of his style remained constant.
Henry Purcell
This book, the first general survey of Purcell's music in a generation, is published to coincide with the tercentenary of his death. It is the first book to explore in detail the historical context of Purcell's music, dealing fully with the institutions he worked for, the origin anddevelopment of the various genres to which he contributed, and the sources of his music. In the process, a new picture of Purcell's creative personality emerges: a composer obsessed with formal counterpoint, extraordinarily well-versed in English music of the previous century, yet eager to embraceup-to-date features of the Italian style in the 1680s.
Henry Purcell
None
