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My Recollections
  • Language: en
  • Pages: 180

My Recollections

  • Type: Book
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  • Published: 2022-09-04
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  • Publisher: DigiCat

DigiCat Publishing presents to you this special edition of "My Recollections" by Jules Massenet. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

My Recollections
  • Language: en

My Recollections

  • Type: Book
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  • Published: 2023-07-18
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  • Publisher: Unknown

None

American Illustrated Magazine
  • Language: en
  • Pages: 682

American Illustrated Magazine

  • Type: Book
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  • Published: 1898
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  • Publisher: Unknown

None

The Rocky Mountain Educator
  • Language: en
  • Pages: 748

The Rocky Mountain Educator

  • Type: Book
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  • Published: 1897
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  • Publisher: Unknown

None

A History of the Oratorio
  • Language: en
  • Pages: 854

A History of the Oratorio

With this volume, Howard Smither completes his monumental History of the Oratorio. Volumes 1 and 2, published by the University of North Carolina Press in 1977, treated the oratorio in the Baroque era, while Volume 3, published in 1987, explored the genre in the Classical era. Here, Smither surveys the history of nineteenth- and twentieth-century oratorio, stressing the main geographic areas of oratorio composition and performance: Germany, Britain, America, and France. Continuing the approach of the previous volumes, Smither treats the oratorio in each language and geographical area by first exploring the cultural and social contexts of oratorio. He then addresses aesthetic theory and criti...

Toward an Authentic Interpretation of the Organ Works of César Franck
  • Language: en
  • Pages: 244

Toward an Authentic Interpretation of the Organ Works of César Franck

Franck's twelve major organ works enjoy a popularity which surpasses even that of his Symphony in D Minor. This volume provides a guide to the interpretation of Franck's organ works by examining the extant first-hand references to him as a student, performer, and teacher written by those who knew him, heard him, and studied with him.

A History of the Oratorio: The oratorio in the nineteenth and twentieth centuries
  • Language: en
  • Pages: 900

A History of the Oratorio: The oratorio in the nineteenth and twentieth centuries

With this volume, Howard Smither completes his monumental History of the Oratorio. Volumes 1 and 2, published by the University of North Carolina Press in 1977, treated the oratorio in the Baroque era, while Volume 3, published in 1987, explored th

Whistler Stories
  • Language: en
  • Pages: 65

Whistler Stories

  • Type: Book
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  • Published: 2023-08-12
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  • Publisher: Good Press

"Whistler Stories" by James Abbott McNeill Whistler. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Music, Theater, and Cultural Transfer
  • Language: en
  • Pages: 450

Music, Theater, and Cultural Transfer

Opera and musical theater dominated French culture in the 1800s, and the influential stage music that emerged from this period helped make Paris, as Walter Benjamin put it, the “capital of the nineteenth century.” The fullest account available of this artistic ferment and its international impact, Music, Theater, and Cultural Transfer explores the diverse institutions that shaped Parisian music and extended its influence across Europe, the Americas, and Australia. The contributors to this volume, who work in fields ranging from literature to theater to musicology, focus on the city’s musical theater scene as a whole rather than on individual theaters or repertories. Their broad range enables their collective examination of the ways in which all aspects of performance and reception were affected by the transfer of works, performers, and management models from one environment to another. By focusing on this interplay between institutions and individuals, the authors illuminate the tension between institutional conventions and artistic creation during the heady period when Parisian stage music reached its zenith.