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Petroleum Sedimentology
Knowledge of the principles and methods of petroleum sedimentology is essential for oil and gas exploration and exploitation. This book is designed as an introductory text for students in petroleum geology and applied sedimentology as well as a useful companion for advanced technicians, explorationists, geophysicists and petroleum engineers. Source rock, lithology and type of trap define the quality of a hydrocarbon accumulation. This interrelationship is exemplified by seven case histories worldwide (NW Europe, Saudi Arabia, U.S.A., Mexico, CIS, China). Moreover, successful exploitation and enhanced oil recovery often depend on an adequate knowledge of the sedimentology of a reservoir. Photographs illustrate macroscopic and microscopic aspects of source rocks as well as reservoir sandstones and limestones that are most important for hydrocarbon exploration. A comprehensive list of references encourages further study.
Bibliography of North American Geology
1919/28 cumulation includes material previously issued in the 1919/20-1935/36 issues and also material not published separately for 1927/28. 1929/39 cumulation includes material previously issued in the 1929/30-1935/36 issues and also material for 1937-39 not published separately.
Valor Without Arms
None
Polymer Flooding
This book covers all aspects of polymer flooding, an enhanced oil recovery method using water soluble polymers to increase the viscosity of flood water, for the displacement of crude oil from porous reservoir rocks. Although this method is becoming increasingly important, there is very little literature available for the engineer wishing to embark on such a project. In the past, polymer flooding was mainly the subject of research. The results of this research are spread over a vast number of single publications, making it difficult for someone who has not kept up-to-date with developments during the last 10 to 15 years to judge the suitability of polymer flooding to a particular field case. ...
Different Drummers
When the African-American dancer Josephine Baker visited Berlin in 1925, she found it dazzling. "The city had a jewel-like sparkle," she said, "the vast caf'es reminded me of ocean liners powered by the rhythms of their orchestras. There was music everywhere." Eager to look ahead after the crushing defeat of World War I, Weimar Germany embraced the modernism that swept through Europe and was crazy over jazz. But with the rise of National Socialism came censorship and proscription: an art form born on foreign soil and presided over by Negroes and Jews could have no place in the culture of a "master race." In Different Drummers, Michael Kater--a distinguished historian and himself a jazz music...
