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For centuries the Haida lived on the Queen Charlotte Islands, a remote archipelago off the Northwest Coast of North America. Art, myth and ceremony were an integral part of their lives, and over time they developed a rich, distinctive and powerful style of sculpture and painting. By the time the first Europeans landed on the shores of their homeland, Haida art had attained a refined and noble sophistication of style to display complex myths of creation and transformation. This superb volume, the definitive book on Haida art, presents the most treasured works in what is considered the world's best collection, at the Canadian Museum of Civilization. It is richly illustrated with 90 full-color photos of artworks (such as masks, pipes, rattles and other ceremonial objects), and 95 black-and-white photographs of artworks and rare historical images that provide glimpses into the past. The descriptive text by George MacDonald, author of the classic Haida Monumental Art, provides an informed overview of Haida art in a historical, cultural and cosmological context.
This publication coincided with an exhibition of the same name celebrating the Vancouver Art Gallery's 75th anniversary.
Experts at building and navigating sea-going canoes, the Haida ranged far from their Island stronghold, trading with, and sometimes raiding, the villages of their nearest neighbours -- the Kwakiutl to the south, the Tsimshian across the often-stormy waters of Hecate Straight, and the Tlingit to the north in what is now part of Alaska. There are also Haida in Alaska, referred to as Kaigani Haida, descendants of group who migrated from the Queen Charlotte Islands to Dall Island and Prince of Wales Island before the coming of the white man. These once thriving people were ravaged by disease and the effects of alcohol in the 1800s after the whites arrived. From a population estimated at nearly 7000 in 1835 (perhaps one-tenth of the total native population of what is now British Columbia), the Haida of the Charlottes dwindled to a mere 800 by 1885 and remained low in numbers into this century. Today, the two centres of population are the villages of Haida which has 1000 people, and Skidgate, which has 400. As well, an estimated 2000 Haida reside elsewhere in British Columbia.
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The Haida of the Queen Charlotte Islands in British Columbia constructed some of the most magnificent houses and erected some of the most beautifully carved totem poles on the Northwest Coast. During the last quarter of the nineteenth-century, images of the Haida's immense cedar houses and soaring totem poles were captured, first on glass plates and later on film, by photographers who travelled to then-remote villages such as Masset and Skidegate to marvel at, and record, what they saw there. Haida Monumental Art, initially published as a limited edition hardcover and finally available in paperback, includes a large number of these remarkable photographs, selected from a collection of over 1...
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This guide book, designed to give you a glimpse of Pacific Northwest Coast aboriginal art, will give you deeper understanding and whet your appetite for learning more about today's vibrant, complex aboriginal cultures. Three sections show you where to look to identify many of the things you will see - from three-dimensional objects like bentwood boxes, ceremonial houses, masks and canoes, to crest designs, to the main design elements in Pacific Northwest Coast aborignal art.--back cover.
The rich artistic traditions of Alaska Natives are the subject of this landmark volume, which examines the work of the premier Alaska artists of the twentieth century. Ranging across the state from the islands of the Bering Sea to the interior forests, Alaska Native Art provides a living context for beadwork and ivory carving, basketry and skin sewing. Examples of work from Tlingit, Aleutian Islanders, Pacific Eskimo, Athabascan, Yupik, and Inupiaq artists make this volume the most comprehensive study of Alaskan art ever published. Alaska Native Art examines the concept of tradition in the modern world. Alaska Native Art is a volume to treasure, a tribute to the incredible vision of Alaska's artists and to the enduring traditions of all of Alaska's Native peoples.
Outlines the history of the Haida Indians in relation to argillite carving.
A fresh perspective from Haida leaders, art and cultural historians, anthropologists and artists on the lasting legacy of the famed Haida artist Bill Reid.