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Focusing specifically on the stories of the Han Chinese (the largest ethnic group in China, numbering over a billion people), this collection presents more than 50 tales, both well known and obscure—from Monkeys Fishing the Moon and The Butterfly Lovers to Painted Skin and Dragon Princess. These are stories that will enchant listeners of all ages, while providing a glimpse into Chinese traditions and ways of thought. To further enhance cultural understanding, the tales are supplemented with historical and cultural background, notes on storytelling, crafts and games, recipes, proverbs, color photos, a map, a glossary, and more. In the past decades, the doors between China and the West have ...
Simple text and color images present various aspects of the Chinese New Year celebration, including red decorations, the exchange of poems, Festival of Lanterns, Dragon Dance, fireworks, parades, feasts, and the remembrance of ancestors.
Volume 40 features research articles on Tibetan mountain deities, Mongghul ritual, material culture in Ladakh, Tibetan ritual practitioners, Tibetan naming practices, and lifestyle migration in Dali. The volume also has two folklore contributions and twenty-one book reviews. Editor's Note Articles Tsering Bum. "THE CHANGING ROLES OF TIBETAN MOUNTAIN DEITIES IN THE CONTEXT OF EMERGING ENVIRONMENTAL ISSUES: DKAR PO LHA BSHAM IN YUL SHUL" Limusishiden (Li Dechun) and Gerald Roche. "SOCIALIZING WITH GODS IN THE MONGGHULBOG RITUAL" Jacqueline H. Fewes and Abdul Nasir Khan. "MANUSCRIPTS, MATERIAL CULTURE, AND EPHEMERA OF THE SILK ROUTE: ARTIFACTS OF EARLY TWENTIETH CENTURY LADAKHITRADE BETWEEN CEN...
What does it mean for a cinematic work to be "Chinese"? Does it refer specifically to a work's subject, or does it also reflect considerations of language, ethnicity, nationality, ideology, or political orientation? Such questions make any single approach to a vast field like "Chinese cinema" difficult at best. Accordingly, The Oxford Handbook of Chinese Cinemas situates the term more broadly among various different phases, genres, and distinct national configurations, while taking care to address the consequences of grouping together so many disparate histories under a single banner. Offering both a platform for cross-disciplinary dialogue and a mapping of Chinese cinema as an expanded fiel...
Land's writing is the story of fourteen years of her life, taking the reader through a time line direct from God. A true story of first the annoyance of seeing her carefully laid-out plan for future years to amazement at how divine wisdom intervened and was perfect as to where the author was to be and when, who she was to meet and why, and how the future would be forever changed even if the yielding of plan A (the author's) to plan B (God's) was done with hesitancy. A life of overseas adventure takes the reader to Armenia, Georgia, Uzbekistan, Ghana, and China. It is interspersed with bits of history, current events, and future opportunities of humans. It gives the reader an opportunity to understand why letting God be in control works best for humanity at any age.
"A great historian can make clear the connections between the first Homo sapiens and today's version of the species, and a great storyteller can make those connections come alive. David Christian is both, and This Fleeting World: A Short History of Humanity, makes the journey--from the earliest foraging era to the agrarian era to our own modern era--a fascinating one. Ready to help your students give up their preconceptions that anything old is probably boring? Enter This Fleeting World."--From publisher description.
Mastering Advanced Modern Chinese through the Classics is a textbook to teach those who wish to achieve an advanced or native proficiency and cultural competence in modern Chinese, as well as to experience the beauty of Classical Chinese literature. Collecting representative works containing vibrant views of Chinese culture from different dynasties, this book is focused on how the grammatical patterns, vocabulary, and idioms that are found in Classical Chinese are relevant in the modern adaptation of the language, and how the accumulated traditional values and beliefs found there still shape the thinking and lifestyle of modern society. Online resources including audio, answer keys, and instructor aids will be part of the teaching package.
The Law of Libraries and Archives explains legal concepts in plain English so that librarians and archivists will be able to understand the principles that affect them on a daily basis. Issues in the book include contracts, copyright and patent law, fair use, the TEACH Act, trademark law, licensing of databases, information malpractice and professionalism, privacy issues and the PATRIOT Act, employment law, and the basics of starting a non-profit organization.
This book is an Introduction to Tang Dynasty Poet Li He Chang-ji, with English Translations of The Chinese Songs and Ballads of Li He Chang-ji. An American Female paying an Homage to a Chinese Tang Dynasty Poet. With an introduction to Han Yu included. A few illustrations are within this charming, First Edition, alphabetized book, which will capture your heart and soul. NOT A TRANSLATION but an introduction to a most interesting poet.
In the late 2000s, the Walt Disney Company expanded, rebranded, and recast itself around “woke,” empowered entertainment. This new era revitalized its princess franchise, seeking to elevate its female characters into heroes who save the day. Recasting the Disney Princess in an Era of New Media and Social Movements analyzes the way that the Walt Disney Company has co-opted contemporary social discourse, incorporating how audiences interpret their world through new media and activism into the company’s branding initiatives, programming, and films. The contributors in this collection study the company’s most iconic franchise, the Disney princesses, to evaluate how the company has addressed the patriarchy its own legacy cemented. Recasting the Disney Princess outlines how the current Disney era reflects changes in a global society where audiences are empowered by new media and social justice movements.