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This work explores the many ways in which the developing film industry of the early twentieth century influenced the writings of F. Scott Fitzgerald, focusing specifically on his novels This Side of Paradise, The Great Gatsby, Tender Is the Night, and the incomplete The Last Tycoon. The Beautiful and the Damned is also discussed briefly. Early chapters examine Fitzgerald's literary adaptation of visual film techniques (pans, freeze frames, slow motion) and aural cinematic concepts (sound effects, diegetic sound) within his most popular novels. The final chapter summarizes the effect such techniques had in augmenting and defining Fitzgerald's unique literary style.
China's Last Imperial Frontier explores imperial China's frontier expansion in the Tibetan borderlands during the last decades of the Qing. The empire mounted a series of military attacks against indigenous chieftaincies and Buddhist monasteries in the east Tibetan region seeking to replace native authorities with state bureaucrats by redrawing the politically diverse frontier into a system of Chinese-style counties. Historically, at all the strategic frontier locations, the state had been for the most part outstripped by local institutions in political, military, and ideological strengths. With perceived threats from the Anglo-Russian "Great Game" accentuating Qing vulnerability in Tibet, t...
Partition occurring simultaneously with British decolonization of the Indian subcontinent led to the formation of independent India and Pakistan. While the political and communal aspects of the Partition have received some attention, its enormous personal and psychological costs have been mostly glossed over, particularly when it comes to the splitting of Bengal. The memory of this historical ordeal has been preserved in literary archives, and these archives are still being excavated. This book examines neglected narratives of the Partition of India in 1947 to study the traces left by this foundational trauma on the national- and regional-cultural imaginaries in India, Pakistan, and Banglade...
Romance is a varied and fluid literary genre, notoriously difficult to define. This groundbreaking Companion surveys the many permutations of romance throughout the ages. Considers the literary and historical development of the romance genre from its classical origins to the present day Incorporates discussion of the changing readership of romance and of romance’s special relation to women readers Comprises 30 essays written by leading authorities on different periods and sub-genres Challenges the idea that the appeal of romance is exclusively escapist Draws on a wide range of specific and influential literary examples
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This book studies the East Asian world-system and its dynastic cycles as they were influenced by climate and demographic change, diseases, the expansion of trade, and the rise of science and technology. By studying the history of East Asia until the beginning of the 20th century and offering a comparative perspective on East Asian countries, including China, Japan and Korea, it describes the historical evolution of the East Asian world-system as being the result of good or poor management of the respective populations and environments. Lastly, the book discusses how the East Asian regions have become integrated into a single world-system by a combination of trade, commerce, and military action. Given its scope, the book will appeal to scholars of history, sociology, political science and environmental studies, and to anyone interested in learning about the effects of climate change on the dynamic development of societies.
This succinct, readable introduction to Chinese migration traces the huge population movements both within China and beyond its borders over thousands of years. Distinguished historian Diana Lary explores these migrations and the key roles they have played in Chinese history. She sees migration as a broad spectrum of movement, from short-term and short-range to permanent and long-range, and as a powerful vehicle for the transfer of commodities, culture, religion, and political influence. Her book will be compelling for all readers who want to understand the context for the present internal and international migrations that have changed the face of China itself and its international relations.
This richly annotated second edition of the now-classic pairing of Bacon’s masterpieces, New Atlantis and The Great Instauration features the addition of other works by Bacon, including “The Idols of the Mind,” Of Unity in Religion” and “Of the True Greatness of Kingdoms and Estates,” as well a Summary of the each work and Questions for the reader. S Includes works new to the second edition, including “The Idols of the Mind,” “Of Unity in Religion,” and “Of the True Greatness of Kingdoms and Estates” Updates the layout of the previous edition with a more generous interior design, making this work more student-friendly and easier to navigate in the classroom Each work is introduced and subsequently discussed, revealing the importance of Bacon’s work to his contemporaries as well as to modern readers Includes a comprehensive introduction and annotations throughout the text; as well as an appendix of Principal Dates in the Life of Sir Francis Bacon; a selected bibliography; and synopses and questions to accompany each work
Creativity: the Actor in Performance focuses on what it takes to be a creative performer. Many stage-actors succeed in rehearsals, yet under-perform where it counts—in performance. But, as actors know, performance is a thing unto itself—something is going to have to happen out there beyond anything that happened in rehearsals. This book provides actors, their teachers and directors with insights into the creativity of the actor in performance. An historical account of the emergence and development of one of the most generative concepts of our times – creativity - provides a theoretical backdrop to a critical discussion of the creativity of acting - a discussion that includes analyses of Denis Diderot, George Henry Lewes, William Archer, Konstantin Stanislavsky, Michael Chekhov, Michel Saint-Denis, Zeami and Eugenio Barba. Creativity: the actor in performance concludes by offering a detailed rationale for performance-oriented actor training, offering examples of workshop exercises (CREATICS) which focus on developing four main competencies crucial for successful and creative performances: situation awareness, audience awareness, divided consciousness and presence.