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Our Darkest Hours
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Unruly Places
Alastair Bonnett explores extraordinary, off-grid, offbeat places including micro-nations, moving villages, secret cities, and no man's lands. Consider Sealand, an abandoned gun platform off the English coast that a British citizen claimed as his own sovereign nation, issuing passports and making his wife a princess. Or Baarle, a patchwork city of Dutch and Flemish enclaves where crossing the street can involve traversing national borders. Or Sandy Island, which appeared on maps well into 2012 despite the fact it never existed.
Locust Girl
This novel is a fairytale, a political allegory, and a philosophical interrogation of the human heart. Most everything has dried up: water, the womb, even the love among lovers. The earth is now mostly desert, except the last green haven behind the border where the carers of the earth preserve the natural order. Carers manage the earth's last resources and keep the wasters out. But in the vast dry outside, hunger is the pernicious plague, and people feed on sand and locusts. So they walk the dry to cross the border. But once, terrible fires crossed it too and devastated the green haven. Since then, carers have been ever-more vigilant and afraid. One night, a village is bombed for seeking to walk to the border. Only two survive: nine-year old Amedea and a locust buried in her brow. This is the story of the Locust Girl. This is her lovesong -- for those walking to the border for dear life, and those guarding the border for dear life.
Myth and Writing
"Other than just provide an argument for the value of the reactive and the improvised, the pieces in this book aspire to perform something else, something quite specific: as the title piece announces, mythology and writing are intimately intertwined things, so much so that the former is really the loftiest that the latter can ever wish to become. In other words, all fiction finally aspires to turn into myth, for myth is nothing if not narration wielding powerful and transfigurative magic over the communal psyche that invents it, providing not so much explanations as experiences of its innermost depths, its uppermost visions, its intuition of the transcendental, without which it would be quite impossible for any of us to grieve, to love, and be fully a person in this world."--Page [4] of cover.
Storya
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Original I Ching
First among the ancient classics, the I Ching or Book of Changes is one of the world's most influential books, comparable to the Bible, the Koran, and the Upanishads. The I Ching's purpose is universal: to provide good counsel to its users in making decisions during times of change. Since its origins about 3,000 years ago, it has become a compendium of wisdom used by people of many cultures and eras. This groundbreaking new translation by Dr. Margaret Pearson is based on the text created during the first centuries of the Zhou Dynasty, study of documents showing how it was used in the dynasty, and on current archaeological research findings. Her translation removes centuries of encrusted inaccuracies to better reveal the I Ching's core truths for today's readers. Whether you are interested in trying this millennia-tested method of making wise choices or in understanding the world view of the early Chinese, this edition is essential reading.
Designing Designing
designing designing is one of the most extraordinary books on design ever written. First published in 1984 and reprinted with this title and cover in 1991, the book was the product of ten years of auto-critique, reflection and experimentation on writing on designing. Offering a savage auto-critique of his own work on “methods”, as well as of the wider methods and ends of advanced industrial societies as a whole, this book challenges the traditional product- and progress- orientated focus on design by insisting that the world now coming into being requires designing to be understood as 'a response to the whole of life.' But designing designing is also unique in modern design thinking in its exploration of what writing on designing might be. Combining essays, interviews, reflections, performances, plays, poems, chance procedures, photographs, collages and quotes, Jones experiments with both form and content in an attempt to make a book which 'is not simply about designing but is instead itself an instance of the ideas and processes explored within it.'
Woman in a Frame
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