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Look What You Made Me Do
One Australian woman is hospitalised every three hours and two more lose their lives each week as a result of family violence. But for some women, there is a punishment far more enduring than injury or their own death. Look What You Made Me Do, is a timely exploration of the evil inflicted by vengeful fathers who have killed their own flesh and blood simply to punish partners for ending unrewarding - often abusive - relationships. Focussing on ten different, but equally harrowing cases of ‘spousal revenge’ dating back thirty years, award winning author Megan Norris, draws upon her own experience as a former court and crime reporter, to examine the horrific murders of eighteen children wh...
Hannah
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Familicide, Gender and the Media
This book examines the complex issue of familicide-suicide – the murder of a partner and children followed by suicide. The purpose of the book is two-fold: to advance a feminist sociological analysis of familicide as a form of gender-based violence, and to examine how it is reported on in news. The first section contextualises interpretations of familicide against the dual ascendancy of – and contestation around - feminist and mental illness discourses in public policy and debate. Advancing a feminist sociological analysis of familicide-suicide, it shows the value of ‘continuum thinking’ for understanding complex and varied forms of gender-based violence. Section Two examines Aust...
We Were Always Free
Like many other southern free Negro families originating in the colonial era (when many whites, women, as well as men were subject to servitude), the family of T. O. Madden, Jr., began with the birth in 1758 of his great-great-grandmother Sarah Madden. She is one of the two ancestors to whom he dedicates this book. Sarah's mother, Mary Madden, contributed the surname that endured. Mary Madden was an Irishwoman who had probably immigrated as a servant a few years before Sarah's birth. Although the myths of Virginia would make every colonial who was white into an aristocrat, Mary Madden, like most eighteenth-century Virginians, was indigent. But unlike many others, she was free. Of Sarah Madden's father, nothing is known. The legal definition of mixed-race children of blacks and whites had been settled in 1662, when the Virginia legislature enacted laws prohibiting interracial marriages and declaring that children followed the status of their mother. Such legislation made children like Sarah Madden free, but illegitimate.
