You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
When eight-year-old Vinni Stewart disappears from a Jersey shore town, Maddy, her distraught single mother, begins a desperate search for her daughter. Maddy’s five-year journey leads her to a bakery in Brooklyn, where she stumbles upon something terrifying. Ultimately, her artist neighbor Evelyn reconnects Maddy to her passion for painting and guides her to a life transformed through art. Detective John D’Orfini sees more than a kidnapping in the plot-thickening twists of chance surrounding Vinni’s disappearance, but his warnings to stay away from the investigation do not deter Maddy, even when her search puts her in danger. When the Russian Mafia warns her to stop sniffing into their business, Maddy must make a choice whether to save one child—even if it might jeopardize saving her own.
"Will a missing Mennonite teen end Gracie's hopes for a happy future in harmony?"
Jacob M. Weik married Susannah Moir in 1783 in Rowan County, North Carolina. Descendants and relatives lived mainly in North Carolina, Arkansas, Louisiana and Missouri.
William Kent Krueger joined the ranks of today's best suspense novelists with this thrilling, universally acclaimed debut. Conjuring "a sense of place he's plainly honed firsthand in below-zero prairie" (Kirkus Reviews), Krueger brilliantly evokes northern Minnesota's lake country -- and reveals the dark side of its snow-covered landscape. Part Irish, part Anishinaabe Indian, Corcoran "Cork" O'Connor is the former sheriff of Aurora, Minnesota. Embittered by his "former" status, and the marital meltdown that has separated him from his children, Cork gets by on heavy doses of caffeine, nicotine, and guilt. Once a cop on Chicago's South Side, there's not much that can shock him. But when the town's judge is brutally murdered, and a young Eagle Scout is reported missing, Cork takes on a mind-jolting case of conspiracy, corruption, and scandal. As a lakeside blizzard buries Aurora, Cork must dig out the truth among town officials who seem dead-set on stopping his investigation in its tracks. But even Cork freezes up when faced with the harshest enemy of all: a small-town secret that hits painfully close to home.
Drawing from political sociology, pop psychology, and film studies, Cinemas of Boyhood explores the important yet often overlooked subject of boys and boyhood in film. This collected volume features an eclectic range of films from British and Indian cinemas to silent Hollywood and the new Hollywood of the 1980s, culminating in a comprehensive overview of the diverse concerns surrounding representations of boyhood in film.
Peplum or "sword-and-sandal" films--an Italian genre of the late 1950s through the 1960s--featured ancient Greek, Roman and Biblical stories with gladiators, mythological monsters and legendary quests. The new wave of historic epics, known as neo-pepla, is distinctly different, embracing new technologies and storytelling techniques to create an immersive experience unattainable in the earlier films. This collection of new essays explores the neo-peplum phenomenon through a range of topics, including comic book adaptations like Hercules, the expansion of genre boundaries in Jupiter Ascending and John Carter, depictions of Romans and slaves in Spartacus, and The Eagle and Centurion as metaphors for America's involvement in the Iraq War.
From the mid-1950s onwards, the rise of television as a mass medium took place in many East and West European countries. As the most influential mass medium of the Cold War, television triggered new practices of consumption and media production, and of communication and exchange on both sides of the Iron Curtain. This volume leans on the long-neglected fact that, even during the Cold War era, television could easily become a cross-border matter. As such, it brings together transnational perspectives on convergence zones, observations, collaborations, circulations and interdependencies between Eastern and Western television. In particular, the authors provide empirical ground to include socia...
Claudia Rose Pickett is a young woman who lives through the Civil War on a farm near Bloomfield, Missouri. She experiences all the horrors of war, including the death of neighbors and family members, destruction of property, intense fear, and hunger. Her fianc, Andy Norton, fights for the Union. When they become engaged, Claudia Rose expects to get married right away, but already the war has gone from being a threat to a reality. Andy refuses to get married until the war is over and he has all his limbs and can support a family. In the Shadow of Thy Wings is their love story, even though they are apart most of the time. Bloomfield, a small town in southeast Missouri, is a strategic spot for either army to set up headquarters at various times, making it an extremely dangerous area to live. All the main characters rely on their faith in God, even though they sometimes question where God is in all the madness.
Ever since HBO's slogan "It's Not TV, It's HBO" launched in 1996, so-called quality television has reached a new level of marketing, recognition, and indeed quality. With other networks imitating the formula, the "HBO effect" triggered a wave of creative output. This turn to quality set off two shifts: (a) Contemporary television staged an international resurgence of the auteur, and (b) America transformed into an "on-demand nation." The chapters in this volume analyze new television lifestyles including marginalized perspectives, fan participation, and an emerging nostalgia correlated with trash aesthetics.