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Videogramme
In his work with video and audio recordings from scientific laboratories, the Swiss artist and artistic researcher Hannes Rickli pioneered the use of videograms as an artistic medium. As part of his ongoing project of collecting videograms, Rickli initiated a research program in which he worked closely with biologists and image scientists and developed a series of video installations that were first exhibited at the Helmhaus in Zurich in autumn of 2010. Complete with analytical essays from scholars and scientists, Videograms documents the video installations and their display at the museum and explores how the original material was produced in the laboratory.
Experimental Systems
In the sciences, the experimental approach has proved its worth in generating what subsequently requires understanding. Can the emergent field of artistic research be inspired by recent thinking about the history and workings of science?
Artistic Research
Artistic Research: Charting a Field in Expansion provides a multidisciplinary overview of different discourses and practices, exploring cutting-edge questions from the burgeoning field of artistic research. Intended as a primer on artistic research, it presents diverse perspectives, strategies, methodologies, and concrete examples of research projects situated at the crossroads of art and academia, exposing international work of significant projects from Europe, Asia, Australia, South and North America. The book includes chapters on diverse fields of thought and practice, addressing a common thread of questions and problematics. The comprehensive editors’ introduction offers a much-needed extensive overview of practice-based artistic research in general. This book is ideal for graduate students across philosophy, cultural studies, art, music, performance studies and more.
The Cultures of Entanglement
The symbolic meaning of plants, their relevance to religion and the metaphorical provocations in the order of knowledge, culture and political power underline the role of plants as something more than passive objects. Current theoretical and artistic discourses have been seeking access to the world independently of man by focusing on the nonhuman other. The contributors to this volume examine the historical, philosophical and scientific findings that generate this idea. In what way are such perspectives manifest in contemporary art? Do artists develop a particular approach that enables nonhuman life forms like plants, insects or animals to have an impact?
Exteriorless Architecture
The current phase of capitalist development manifests itself through a very diverse range of spatial byproducts: data centers, warehouses, container terminals, logistics parks, and many others. Generally considered as mediocre and banal examples that sit outside of pre-established disciplinary canons, these architectural episodes are extremely relevant. They are relevant not for their aesthetic or historic qualities but for what they represent – for the system of values these spaces embed. They express specific power relations, exacerbate issues of labor, and generate dramatic processes of subjectivity. Most importantly, these architectures, despite their formal and typological heterogenei...
Seeing China's Belt and Road
In Seeing China's Belt and Road, editors Edward Schatz and Rachel Silvey assemble the ground-level fieldwork of leading scholars to examine the Belt and Road Initiative (BRI) from different "downstream" contexts, ranging from Central and Southeast Asia to Europe and Africa. Crucially, this book uncovers views of the BRI from Chinese authorities, local businesses, state bureaucrats, expatriated migrants, ordinary citizens, and environmental activists. Through these case studies, the book offers a timely analysis of the dynamic complexity of changes in the world order.
Split and Splice
"Esteemed historian and philosopher of science Hans-Jèorg Rheinberger explores the incredible diversity of scientific experimentation in his new book, which extends his ground-breaking epistemological studies of the life sciences and the experimental practices that have made them so productive. Rheinberger explores the materiality of experiment, of its objects and instruments, the construction of models, and myriad ways of making things visible. The first part of the book is devoted to the circumstances and conditions that give the process of experimentation its structural cachet and make it a device from which novelty can emerge. Then, in the second part, Rheinberger focuses on the relations that experimental systems develop among each other, specifically their characteristic temporal, spatial, and narrative dimensions. The concepts that guide his investigation emerge through accessible examples, most of which are drawn from molecular biology, including from the author's own laboratory notebooks from his years researching ribosomes. This is a tour de force by one of today's most influential theorists of scientific practice"--
Practicing Art/Science
Over the last two decades, multiple initiatives of transdisciplinary collaboration across art, science, and technology have seen the light of day. Why, by whom, and under what circumstances are such initiatives promoted? What does their experimental character look like - and what can be learned, epistemologically and institutionally, from probing the multiple practices of "art/science" at work? In answer to the questions raised, Practicing Art/Science contrasts topical positions and insightful case studies, ranging from the detailed investigation of "art at the nanoscale" to the material analysis of Leonardo’s Mona Lisa and its cracked smile. In so doing, this volume brings to bear the "pr...
Kunstforschung als ästhetische Wissenschaft
Kunstforschung, künstlerische Forschung oder kunstbasierte Forschung sind derzeit populäre Begriffe - spekuliert werden darf jedoch, was mit ihnen gemeint sei. Der Band konzipiert Kunstforschung als »ästhetische Wissenschaft«, als einen Prozess, der das spezifische Wissen und die Kompetenzen von Künstlern nutzt, um sie in anderen Kontexten als dem Kunstsystem zur Anwendung zu bringen: Künstlerische Kompetenzen und Arbeitsweisen werden mit wissenschaftlichen verwunden, um problemorientiert neues Wissen zu generieren.
