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The development of communication studies has been a lively process of adoption and integration of theoretical constructs from Pragmatism, Critical Theory and Cultural Studies. Critical Communication Studies describes the intellectual and professional forces that have shaped research interests and formed alliances in the pursuit of particular goals. Hanno Hardt reflects on the need to come to terms with the role of history in academic work and locates the intellectual history within the context of competing social theories. The book provides a substantive foundation for understanding the field and will be a major text in all courses dealing with communication history and theory.
With a lively and engaging style, Myths for the Massesprovides a critical, interdisciplinary, and historically informedstatement about communication in contemporary life. Written by Hanno Hardt, one of the world’s leadingauthorities on the subject. Offers a comprehensive appraisal of mass communication. Provides a critical perspective on media and communication insociety. Contains critical insights into the state of masscommunication, democracy, and the construction of the self insociety.
Explores the relations between photo-journalism and history, investigating how photographs shape both, what we remember and how we remember. This book provides insight into how photographs, generate a sense of national community, and reinforce prevailing social, cultural, and political values.
Authors analyze and discuss significant theories, research, and practices in various areas of this field. The final section considers future directions. Seventeen essays on the history of the field, communication theory in business and cultural contexts, and future directions. Paper edition (unseen), $18.95. Annotation copyrighted by Book News, Inc., Portland, OR
What most of us know about media history begins and ends with Citizen Kane. The exploits of media moguls and visionary business leaders - these are the tales that fill media histories in the United States. What's missing is a crucial part of the picture : the rank and file of journalism, and the conditions under which they produced and participated in the business off journalism. Newsworkers supplies this side of the story. Focusing on the period from the 1850s through the 1930s, the contributors show how issues of labor and class have been far more important in the formation of media institutions than previous accounts concede. These essays recover the history of ethnic and cultural diversity - including the contributions of women - that have enriched the process of communication.
This is an examination of media and communication within disaporic ethnic communities in Australia: the Chinese, Indian, Vietnamese and Thai communities. The study explores the ethnic community as a force in negotiating new hybrid identities and experiences common to disaporic groups worldwide.
This book explores the imaginative construction of a cultural history of the media in a series of essays that draw on various artistic and intellectual narratives of Western societies and trace incidental encounters with the means of social communication in cultural and political settings.
Media representation of and for the disabled has been recharged in recent years with the expansion of new media worldwide. Interactive digital communications -- such as the Interact, new varieties of voice and text telephones, and digital broadcasting -- have created a need for a more innovative understanding of new media and disability issues. This engaging analysis offers a global perspective on how people with disabilities are represented as users, consumers, viewers, or listeners of new media, by policymakers, corporations, programmers, and the disabled themselves.
Gendered Media addresses the broad topic of gender and media, where "gender" is not simply a shorthand for "woman" but also embraces masculinitiy/ies, queer, lesbian and gay identities. Karen Ross provides the necessary historical context against which to read recent sex- and gender-based media phenomena such as Big Brother, Terminator, girls' use of mobile phones, women news editors, the Wonderbra generation, the Hillary Clinton and Sarah Palin phenomena, and so on. The book is an overview of the various aspects of gender and media in one volume. The book provides introductory overviews to the various themes around women, men, sexuality and the ways in which these attributes are cross-cut by other demographics such as age, ethnicity and disability. In this way, the book genuinely tries to provide a broad introduction to the ways in which gender, in all its facets, engages with media, in one accessible volume.
«Strictly speaking», James Carey wrote, «there is no history of mass communication research.» This volume is a long-overdue response to Carey's comment about the field's ignorance of its own past. The collection includes essays of historiographical self-scrutiny, as well as new histories that trace the field's institutional evolution and cross-pollination with other academic disciplines. The volume treats the remembered past of mass communication research as crucial terrain where boundaries are marked off and futures plotted. The collection, intended for scholars and advanced graduate students, is an essential compass for the field.