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This is Yours
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Migrating Histories of Art
Art historians have been facing the challenge – even from before the advent of globalization – of writing for an international audience and translating their own work into a foreign language – whether forced by exile, voluntary migration, or simply in order to reach wider audiences. Migrating Histories of Art aims to study the biographical and academic impact of these self-translations, and how the adoption and processing of foreign-language texts and their corresponding methodologies have been fundamental to the disciplinary discourse of art history. While often creating distinctly "multifaceted" personal biographies and establishing an international disciplinary discourse, self-translation also fosters the creation of instances of linguistic and methodological hegemony.
Chicago Bar Record
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Hans Danuser: Darkrooms of Photography
This book presents an overview of the work of Swiss photographer Hans Danuser over the last 35 years and places it in wider artistic and social contexts. At the end of the 1970s Danuser substantially contributed to the "reinvention" of photography as an artistic medium and shaped its development through the myriad possibilities of the analogue darkroom. In 1980 Danuser began his breakthrough cycle "IN VIVO," whose 93 black-and-white photos address taboos then prevailing in the research and power centers of industrial society in Europe and the USA prior to the fall of the Berlin Wall, the break-up of power blocs and the rise of globalization. Topics that influence and transform society have been the focus of Danuser's subsequent large-format, and often site-specific installation works. With an emphasis on content and media-specific research, Danuser's photos furthermore examine light in all its subtle nuances--from black to white, its deep shadows and transitional gray areas.
Hieronymus Bosch
An accessible biography of the celebrated early Netherlandish painter, now in paperback. In his lifetime the early Netherlandish painter Hieronymus Bosch was famous for his phantasmagoric images, and today his name is synonymous with the infernal. The creator of expansive tableaus of fantastic and hellish scenes—where any devil not dancing is too busy eating human souls—he has been as equally misunderstood by history as his paintings have. In this book, Nils Büttner draws on a wealth of historical documents—not to mention Bosch’s paintings—to offer a fresh and insightful look at one of history’s most peculiar artists on the five-hundredth anniversary of his death. Bosch’s pain...
