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The Art Firm explores the seemingly unorthodox alliance of the arts, management, and marketing. Art firmsas avant-garde enterprises and arts corporationshave existed for at least two hundred years, using texts, images, and other types of art to create corporate wealth. This book investigates how to apply the methods artists use in creating value to the methods more traditional managers use in running their businesses. Guillet de Monthoux offers a crash course in aesthetics from Kant to Gadamer, showing how aesthetic management and metaphysical marketing can create value. Using case studies of successful art managers from Richard Wagner to Robert Wilson, the author illustrates the creative roleso central to value-making in contemporary economiesperformed by aesthetic play in art firms. Along the way, Guillet de Monthoux points out how responsible aesthetic management and marketing can eradicate the problems of banality and totality, the two capital sins of an art-based economy.
The book charts the dramatic months leading to one of the most profound changes of the 20th century, the opening of the Berlin Wall in 1989 and the restoration of German unity in 1990. The author analyses the nature of Communist rule in the GDR over 40 years, its few strengths and its many weaknesses, and the myths which grew up around it. This book places the GDR in its international setting as the proud ally of the Soviet Union in the Warsaw Pact. It examines the reactions abroad to the unfolding revolution. The text is based on a wide variety of written sources and many interviews with leading Communist figures, such as Krenz and Modrow, and with their opponents and successors, and former Stasi officers and the dissidents they tried to crush. It greatly benefits from the author's decades of involvement with East Germany, including personal friendships there, before 1989 and his eye-witness accounts of many of the events during Die Wende. It should be of interest not only to students of German politics, contemporary history and the Cold War, but to all who are curious about the momentous times through which we have lived.
Everyday life in the East German Socialist Unity Party revolved heavily around maintaining the “party line” in all areas of society, whether through direct authority or corruption. Spanning a long period of the GDR’s history, from 1946 through 1989, Rüdiger Bergien presents the first study that examines the complexities of the central party’s communist apparatus. He focuses on their role as ideological watchdogs, as they fostered an underbelly and “inner life” for their employees to integrate the party’s pillars throughout East German society. Inside Party Headquarters reviews not only the party’s modes power and state interaction, but also the processes of negotiation and disputation preceding formal Politburo decisions, advancing the available detail and discourse surrounding this formative and volatile stretch of German history.
Publisher description
An exploration of early modern encounters between Christian Europe and the (Islamic) East from the perspective of performance studies and performativity theories, this collection focuses on the ways in which these cultural contacts were acted out on the real and metaphorical stages of theatre, literature, music, diplomacy and travel. The volume responds to the theatricalization of early modern politics, to contemporary anxieties about the tension between religious performance and belief, to the circulation of material objects in intercultural relations, and the eminent role of theatre and drama for the (re)imagination and negotiation of cultural difference. Contributors examine early modern encounters with and in the East using an innovative combination of literary and cultural theories. They stress the contingent nature of these contacts and demonstrate that they can be read as moments of potentiality in which the future of political and economic relations - as well as the players' cultural, religious and gender identities - are at stake.
How did beer become one of the central commodities associated with the German nation? How did a little-known provincial production standard – the Reinheitsgebot, or Beer Purity Law – become a pillar of national consumer sentiments? How did the jovial, beer-drinking German become a fixture in the global imagination? While the connection between beer and Germany seems self-evident, A Nation Fermented reveals how it was produced through a strange brew of regional commercial and political pressures. Spanning from the late nineteenth century to the last decades of the twentieth, A Nation Fermented argues that the economic, regulatory, and cultural weight of Bavaria shaped the German nation in...
An ideal source for general readers and students, "The Rush to German Unity" explores whether solving the old German problem (by bringing down the Berlin Wall) has merely created new difficulties for Germany and challenges to overcome.
The Last Revolutionaries follows the lives of German communists across the tumultuous twentieth century. Epstein offers an unparalleled portrait of the most enduring and influential generation of Central European communists.
Focused on 'The Holocaust in an Age of Genocide', Remembering for the Future brings together the work of nearly 200 scholars from more than 30 countries and features cutting-edge scholarship across a range of disciplines, amounting to the most extensive and powerful reassessment of the Holocaust ever undertaken. In addition to its international scope, the project emphasizes that varied disciplinary perspectives are needed to analyze and to check the genocidal forces that have made the Twentieth century so deadly. Historians and ethicists, psychologists and literary scholars, political scientists and theologians, sociologists and philosophers - all of these, and more, bring their expertise to bear on the Holocaust and genocide. Their contributions show the new discoveries that are being made and the distinctive approaches that are being developed in the study of genocide, focusing both on archival and oral evidence, and on the religious and cultural representation of the Holocaust.
Culture from the Slums explores the history of punk rock in East and West Germany during the 1970s and 1980s, examining how youths mobilized music to build alternative communities and identities during the Cold War, and detailing how punk became the site of historical change on both sides of the Iron Curtain.