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Published in conjunction with an exhibition organized by the Los Angeles County Museum of Art and the Metropolitan Museum of Art, this volume presents full-page, color reproductions (each accompanied by a biography and commentary) of 105 early 19th-century paintings by 17 Danish artists--landscapes, marines, portraits, scenes of everyday life, and figure studies--clearly linked to the mainstream of Northern Romanticism. 9.25x12.25" Annotation copyright by Book News, Inc., Portland, OR
This book is an international anthology about dance seen as a world of dreams, ideals or paradises lost - a place where identity and reality are at stake. Through essays, interviews, and analytical reflections, such diverse subjects are treated as Bournonville's ideal of a critic, Nijinsky's faun versus the romantic dream of elusive women, the broken marriage between music and dance, dancing as an erotic motif in the paintings of the Danish Golden Age, and the beast in dance from Swan Lake to butoh.
During the first half of the nineteenth century, Danish and German artists studying in Paris and Rome brought back the concept of "plein air" painting and began to paint out-of-doors on their native soil. They introduced a whole new aesthetic that was sensitive to the light and atmospheric conditions peculiar to the north, especially during the long summer days. This beautiful book focuses on the painters and paintings of this period, particularly Caspar David Friedrich, who produced many fine works before he developed the romantic style for which he is better known. The book presents topographical landscapes, panoramas, and some group and individual portraits that often include a window fro...
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Though known as the Danish Golden Age, nineteenth-century Denmark was one of the most tumultuous periods in the nation's history—from the disastrous siege of Copenhagen and the collapse of Denmark's monarchy to the swelling tide of nationalism that eventually engulfed all of Europe. This volume places artists at the center of Denmark's dramatic cultural, political, and philosophical transformation by bringing together 90 drawings, paintings, and oil sketches by Christoffer Wilhelm Eckersberg, Christen Købke, Constantin Hansen, Martinus Rørbye, Johan Thomas Lundbye, Vilhelm Hammershøi, and others. Five thematic essays by leading scholars in Denmark and the United States explore the way Danish artists manifested the pride, traditions, and anxieties of their nation; the sea's ever-changing role as a marker of Danish identity; the evolving nature of portraiture; nostalgia for the Danish landscape and folk traditions; and the influence on Danish artists of their travels throughout Europe.
Old men – especially those who live alone – remain an understudied group in the gerontological literature, despite their significance to the demographic development. Among the elderly, the proportion of old men living alone is rapidly rising. This book is an anthology of different perspectives on The Old Man. It contains a personal account of becoming an old man, treats ideas about the old man throughout Western cultural history, and presents the first studies on the very old man. It also discusses a wide variety of topics – including alcohol as a prism for male aging; the old man and sexuality, digitization, and masculinities; and the single old man as lonely or just living alone – paying much-needed attention to this long overlooked group. The contributing researchers come from disciplines as different as psychology, philosophy, theology, anthropology, health, and gender studies.
"Color illustrated glossy wraps. 426 pp., 128 color plates Lists 128 works, all of which are reproduced in striking color. Extensive essays of the artists and paintings."--Publisher's website.
This book is an exploration of how urban life in Copenhagen, in the period known as the Golden Age (c. 1800 to 1850), was experienced and structured socially, institutionally, and architecturally. It draws on a broad historical source material - spanning urban anecdotes, biography, philosophy, literature, and visual culture - to do so. The book argues that Copenhagen emerged as a modern city at this time, despite the fact that the Golden Age never witnessed the appearance of the main characteristics of the modernisation of cities associated with industrialisation, such as street lighting, sewer systems, and railroads. The book outlines the historical and topographical context of Copenhagen i...
This study identifies and analyzes the different types of landscape painting that dominated the Scandinavian countries in the 19th century. The author shows how the wilderness became a symbol of Nordic strength, as well as a counter-image to industrialization and European urban culture.