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Drawing on a wealth of medical and historical materials, Sander Gilman sketches details of the anti-Semitic rhetoric about the Jewish body and mind, including medical and popular depictions of the Jewish voice, feet, and nose. Case studies illustrate how Jews have responded to such public misconceptions as the myth of the cloven foot and Jewish flat-footedness, the proposed link between the Jewish mind and hysteria, and the Victorians' irrational connection between Jews and prostitutes. Gilman is especially concerned with the role of psychoanalysis in the construction of anti-Semitism, examining Freud's attitude towards his own Jewishness and its effect on his theories, as well as the supposed "objectiveness" of psychiatrists and social scientists.
Shows how postwar writers in Austria and Yugoslavia re-imagined the concept of Mitteleuropa, Central Europe, as a cultural space between nostalgia and totalitarianism.The German term Mitteleuropa, or Central Europe, was never just a geographical concept: it connoted extending German influence to the east. In the 1980s, the eastern European dissident writers György Konrád, Czesław Miłosz, and Milan Kundera revived the concept to counter a perceived Cold War memory vacuum, aligning themselves with the multiethnic and multilingual legacy of the Habsburg Empire. Their observations gave rise to a protracted public debate that posited literature against politics. This debate was both anticipat...
A fascinating study of how ordinary German subjects collected and consumed royal relics and memorabilia.
The concept of race is central to one of the most powerful ideological formations in history, Dominick LaCapra argues in his introduction to this volume, and understanding the effects of that ideology and its intricate relations with issues of class and gender is one of the most pressing challenges to contemporary modes of thought. The eleven essays comprising The Bounds of Race confront this challenge with insight, rigor, and imagination. The authors take on questions of language, genre, and politics with reference to African-American, Anglo-American, African, South African, Francophone North African, British, and Afro-Hispanic texts. Individual chapters discuss writings from an array of ge...
A collection of essays dealing with stereotypes in language and in literary texts, especially those associating race with sexuality and pathology (organic disease or madness). The introduction (pp. 15-38) gives a psychological explanation of the need to create stereotypes of the Other and give them mythic negative characteristics in order to categorize and control the world. Negative stereotypes of Jews are discussed in ch. 6 (pp. 150-162), "The Madness of the Jews"; ch. 7 (pp. 162-174), "Race and Madness in I.J. Singer's 'The Family Carnovsky'"; ch. 8 (pp. 175-190), "Sigmund Freud and the Jewish Joke."
"This book makes a decisive and controversial contribution to the history of musical modernism. Moricz radically but thoroughly scrutinizes concepts of Jewish identity, and in doing so re-orders our understanding of 'Jewish music' as an outgrowth of nationalist, racist and utopian ideologies. The scholarship is superior in every respect. Jewish Identities is destined to become a seminal work in the reception history of European musical modernism. An absolutely outstanding and intellectually brilliant work."—Harry White, author of The Keeper's Recital: Music and Cultural History in Ireland, 1770-1970
Presenting a revisionary reading of German, Canadian, and American texts such as Fanny Essler, Settlers of the Marsh, and Sister Carrie, Gammel (English, U. of Prince Edward Island) attributes to naturalism, a predominantly male genre, the appropriation of a disruptive female sexuality not so much to "liberate" it from Victorian repression as to contain it within the male boundaries of naturalism. Annotation copyright by Book News, Inc., Portland, OR
A Case of Hysteria reveals how Freud dealt with patients and interpreted their statements. A crucial text in the development of his theories, it is famous for its literary qualities, and the story of 'Dora' and her unhappy family is as dramatic as a modern novel. This new translation includes a fascinating introduction to the work.
The original essays in this collection chronicle the transformation of Arnold Schoenberg's works from music as pure art to music as a vehicle of religious and political ideas, during the first half of the twentieth century. This interdisciplinary volume includes contributions from musicologists, music theorists, and scholars of German literature and of Jewish studies.
From literary theory to social anthropology, the influence of Freud runs through every part of the human and social sciences. In The Lure of Dreams, Harvie Ferguson shows how Freud's writings and particulary The Interpretation of Dreams contribute, both in their content and in the baroque and dream-like forms in which they are cast, to our understanding of the character of modernity. This novel and stimulating approach to Freud and to the dilemmas of modernity and postmodernity will fascinate everyone with an interest in the development of the modern consciousness.