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A Major Activity Of The Sahitya Akademi Is The Preparation Of An Encyclopaedia Of Indian Literature. The Venture, Covering Twenty-Two Languages Of India, Is The First Of Its Kind. Written In English, The Encyclopaedia Gives A Comprehensive Idea Of The Growth And Development Of Indian Literature. The Entries On Authors, Books And General Topics Have Been Tabulated By The Concerned Advisory Boards And Finalised By A Steering Committee. Hundreds Of Writers All Over The Country Contributed Articles On Various Topics. The Encyclopaedia, Planned As A Six-Volume Project, Has Been Brought Out. The Sahitya Akademi Embarked Upon This Project In Right Earnest In 1984. The Efforts Of The Highly Skilled ...
On the completion of fiftieth year of Sahitya Akademi.
In this book, the prominent theorist Partha Chatterjee looks at the creative and powerful results of the nationalist imagination in Asia and Africa that are posited not on identity but on difference with the nationalism propagated by the West. Arguing that scholars have been mistaken in equating political nationalism with nationalism as such, he shows how anticolonialist nationalists produced their own domain of sovereignty within colonial society well before beginning their political battle with the imperial power. These nationalists divided their culture into material and spiritual domains, and staked an early claim to the spiritual sphere, represented by religion, caste, women and the fam...
Sanghamitra Chakraborty’s biography covers the complete arc of Soumitra Chatterjee’s extraordinary life and captures the many facets of his talent as a creative artist and all-round icon of the Bengal cultural sphere. From his work as an actor of international renown and his long partnership with Satyajit Ray to his forays into poetry, editorship and art, Soumitra Chatterjee and His World captures the richness and complexity of his journey and explores the turbulent times that shaped him. An essential book for legions of his fans, it introduces his legacy to a pan-India audience and a new generation of film lovers.
This work explores how colonial India imagined human and divine figures to battle the nature and locus of sovereignty.
First published in 2000, Dipesh Chakrabarty's influential Provincializing Europe addresses the mythical figure of Europe that is often taken to be the original site of modernity in many histories of capitalist transition in non-Western countries. This imaginary Europe, Dipesh Chakrabarty argues, is built into the social sciences. The very idea of historicizing carries with it some peculiarly European assumptions about disenchanted space, secular time, and sovereignty. Measured against such mythical standards, capitalist transition in the third world has often seemed either incomplete or lacking. Provincializing Europe proposes that every case of transition to capitalism is a case of translation as well--a translation of existing worlds and their thought--categories into the categories and self-understandings of capitalist modernity. Now featuring a new preface in which Chakrabarty responds to his critics, this book globalizes European thought by exploring how it may be renewed both for and from the margins.
A special issue of PUBLIC CULTURE, this volume of essays examines modernity from transnational and transcultural perspectives, holding that within different cultures, there are different starting points of the transition to modernity that lead to differen
Art, literature, music and other intellectual expressions of a particular society are together regarded as the culture of that society. Ideas, customs and social behaviour of a particular people or society are also its ‘culture’. Contrary to what we think, it is not easy to describe ‘culture’, nor is it easy to write the cultural history. Writing the history of Bengali culture is even more difficult because Bengali society is truly plural in its nature, made even more so by its political division. The two main religious communities that share this culture are often more aware of the differences between them than the similarities. Nonetheless, the people remain bound by history and a ...
It all probably was a tale.However, serious research does identify some events, from about a thousand years before the Common Era, that qualify as the bases of the epic’s plot. Apparently, collective memory evolved significantly through the centuries before their stories, legends, and allegories took the forms that we know from the epic today.And yet, even if no set of historical events can be found to correspond with epic episodes, its many stories, legends, and allegories nevertheless conform to themes that were at one time authentic. In other words, whether or not epic episodes were historical, the ideas and concepts they represent were.It is with these ideas and concepts that Framing the Mahabharata weaves the pattern of South Asian society as it evolved through the cusp of the Bronze and Iron Ages, developing motifs we are familiar with today. Against this pattern, it reconstructs the military tactics, technology, and sociology that marked the interplay of nomadic and sedentary folks, most poignantly depicted in the career of war-chariots.