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Emmanuel Van Der Auwera
Eponymously titled with his award winning 2014 film, "A Certain Amount of Clarity" is the first monograph dedicated to the artistic practice of Emmanuel Van der Auwera whose work describes our experience of digitized life operating at intersections of documentary, reconstruction and fiction. His practice is one that demonstrates the impact of emerging technologies on perception and civic dialogue, building platforms for marginalized actors and engaging with technicians and scientists to explore the balance of ethics and aesthetics in new media. Through filmmaking, video sculpture, theatre, printmaking, and other media, Van der Auwera sets up encounters with found images that provoke a questi...
CyberArts 2020
Der Prix Ars Electronica ist der traditionsreichste Medienkunstwettbewerb der Welt. Seit 1987 alljährlich ausgeschrieben, gilt er wegen seiner Kontinuität, der hohen Anzahl sowie Qualität der Einreichungen als Trendbarometer der weltweiten Medienkunst. Mit vielen Bildern, Texten und Statements der Jury bündelt das Buch jene Arbeiten, die 2020 in den Kategorien Computer Animation, Digital Musics & Sound Art, Artificial Intelligence & Life Art und u19 – Create Your World ausgezeichnet wurden. Ebenfalls im Buch enthalten ist wieder ein Best-of des im Auftrag der Europäischen Kommission ausgeschriebenen STARTS-Prize. Im Fokus dieses hoch dotierten Wettbewerbs standen innovative Projekte an der Schnittstelle von Wissenschaft, Technologie und Kunst (= Science, Technology and ARTS).
The Routledge Companion to Decolonizing Art History
This companion is the first global, comprehensive text to explicate, theorize, and propose decolonial methodologies for art historians, museum professionals, artists, and other visual culture scholars, teachers, and practitioners. Art history as a discipline and its corollary institutions - the museum, the art market - are not only products of colonial legacies but active agents in the consolidation of empire and the construction of the West. The Routledge Companion to Decolonizing Art History joins the growing critical discourse around the decolonial through an assessment of how art history may be rethought and mobilized in the service of justice - racial, gender, social, environmental, res...
The Conformist Rebellion
With the rise of myriad forms of identity politics which corresponds to a new “Trinity Formula” of leftist analysis of capitalism (class, race, and gender), major currents in the contemporary radical left in the past decades have shifted their aim. This book addresses the ideological, theoretical, and practical dilemmas of the contemporary academic and activist left from a Marxist standpoint. Covering contemporary developments in Left thought and ideology and putting them into social and historical context, the chapters provide a theoretical confrontation with the myriad ways it has tended to accommodate itself to neoliberal ideology, rather than fundamentally opposing it. The contrast between the Marxian emancipatory project and what the progressive left has made of it has never been more glaring than now, a time in which capital no longer seems to confront a political barrier. It is this predicament that The Conformist Rebellion evaluates, for a renewed approach to emancipation from capital.
Pens are My Friends
Text by Harlan Levey, Peter Thaler, Lars Denicke.
Highbrow, Lowbrow, Nobrow
In their second volume, MODART coins a new term, 'Moussism' to describe a post-everything era in the arts. According to the editors, Moussism is a non-traditional community based movement, which is not limited to a period, place or classical notion of aesthetics, discipline, medium, ideology or style. Artists such as David Shrigley, Nomad, Will Barras, Jeroen Jongeleen (Influenza) and East Eric are selected within to illustrate the concept of Moussism for their emphasis on a gestural approach.
Annual Report of the Commissioner of Patents
Prior to 1862, when the Department of Agriculture was established, the report on agriculture was prepared and published by the Commissioner of Patents, and forms volume or part of volume, of his annual reports, the first being that of 1840. Cf. Checklist of public documents ... Washington, 1895, p. 148.
Craftworker's Market
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Verbal Behavior
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