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Among the six daughters and one son born to David, second Lord Redesdale, and his wife Sydney were Nancy, the novelist and historian; Diana, who married fascist leader Sir Oswald Mosley; Unity, friend of Hitler; Jessica, who became a communist and then an investigative journalist; and Deborah, Duchess of Devonshire and mistress of Chatsworth. 'The Mitford Girls', as John Betjeman called them, were one of the twentieth century's most controversial families; said to be always either in shrieks of laughter or floods of tears, they were glamorous, romantic and - especially in politics - extreme. Yet the teasing, often bordering on cruelty, the flamboyant contrasts and the violent disagreements, hid a powerful affection, subtle likenesses in character and a powerful underlying unity.
Reader's Guide Literature in English provides expert guidance to, and critical analysis of, the vast number of books available within the subject of English literature, from Anglo-Saxon times to the current American, British and Commonwealth scene. It is designed to help students, teachers and librarians choose the most appropriate books for research and study.
Originally published in 1990. The Harmsworth family, starting with Lord Northcliffe (1865-1922) is the greatest and most influential press dynasty Britain has known. The dynasty has had by far the greatest impact on the shape of the press today of all the great press families. The Harmsworths were big, bold characters, enormously rich and with a gift for flamboyant use of their wealth. Much more important though is the way they used their influence on public opinion to steer the country’s political and social life. ‘Public opinion’ was a force that the Harmsworths harnessed before anyone else, and they quickly understood how to use it as a political tool. This book is constructed as four biographies which together make up the central story of the popular press in Britain. Their story continues to have relevance.
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Explore the fragile boundaries between reality and perception in Angelo Di Benedetto’s powerful new collection, "I'm Not Crazy: Voices Unheard: Stories from the Shadows of Stigma." This compelling anthology delves deep into the lives of individuals who are often marginalized and misunderstood, offering a poignant look at the human condition through the lens of mental health and identity. About the Book: In "I'm Not Crazy," Di Benedetto brings together eight riveting stories that challenge societal norms and invite readers to question their own understanding of sanity. Each narrative is a standalone exploration of someone fighting internal and external battles, where the distinction between...
It is the 1880s in an Irish neighborhood of Brooklyn, New York. Harold Cullen arranges for his two handsome Irish sons to meet two lovely Irish sisters. The two sisters are daughters of Harold's boyhood friend from his days of growing up in Dublin. The play opens with a dramatic event in 1886. Scene by scene we work our way back three years to 1883. We learn that however important destiny may appear, the journey of getting there is more magnetic. Nothing we say or do in life is small or tossed away. In fact, everything we say or do is gargantuan. But who of us grasps this fact of life as we laboriously move forward in time?
Valenteen Foxe has never left his hometown of Applemoss, a place where farmers tended to their crops and travelers were as rare as an eventful day. Some called their lives boring but the Foxes cared not. They wanted nothing more then their quiet lives. Rapheal, Valenteen's older brother, planned to ask for a hand in marriage. His proposal to the beautiful Linnet Bailey would have introduced a new member to their family. Their lives were settled, cozy and safe but all of that changed with a rushed note and a pair of red eyes.
In one day, thieves, malfeasance and bad luck make for a very bad day in the factory.