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The Double Screen
In the first exploration of Chinese paintings as both material products and pictorial representations, The Double Screen shows how the collaboration and tension between material form and image gives life to a painting. A Chinese painting is often reduced to the image it bears; its material form is dismissed; its intimate connection with social activities and cultural conventions neglected. A screen occupies a space and divides it, supplies an ideal surface for painting, and has been a favorite pictorial image in Chinese art since antiquity. Wu Hung undertakes a comprehensive analysis of the screen, which can be an object, an art medium, a pictorial motif, or all three at once. With its diverse roles, the screen has provided Chinese painters with endless opportunities to reinvent their art. The Double Screen provides a powerful non-Western perspective on issues from portraiture and pictorial narrative to voyeurism, masquerade, and political rhetoric. It will be invaluable to anyone interested in the history of art and Asian studies.
Chinese Art and Dynastic Time
A sweeping look at Chinese art across the millennia that upends traditional perspectives and offers new pathways for art history Throughout Chinese history, dynastic time—the organization of history through the lens of successive dynasties—has been the dominant mode of narrating the story of Chinese art, even though there has been little examination of this concept in discourse and practice until now. Chinese Art and Dynastic Time uncovers how the development of Chinese art was described in its original cultural, sociopolitical, and artistic contexts, and how these narratives were interwoven with contemporaneous artistic creation. In doing so, leading art historian Wu Hung opens up new p...
A Story of Ruins
This richly illustrated book examines the changing significance of ruins as vehicles for cultural memory in Chinese art and visual culture from ancient times to the present. The story of ruins in China is different from but connected to “ruin culture” in the West. This book explores indigenous Chinese concepts of ruins and their visual manifestations, as well as the complex historical interactions between China and the West since the eighteenth century. Wu Hung leads us through an array of traditional and contemporary visual materials, including painting, architecture, photography, prints, and cinema. A Story of Ruins shows how ruins are integral to traditional Chinese culture in both ar...
Looking at Asian Art
"Developed from a symposium organized by the Center for the Art of East Asia in the Department of Art History at the University of Chicago in 2008 in memory of Professor Harrie A. Vanderstappen (1921-2007)"--Pref.
Ritual and Reverence
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Contemporary Chinese Art
The first and only comprehensive survey of contemporary Chinese art, one of the most vital and expanding sectors of the global art world today From its underground genesis during the Cultural Revolution (1966–76), contemporary Chinese art has become a dynamic and hugely influential force in a globalized art world. In this first major introduction to the topic, Wu Hung provides an accessible, focused, and much-needed narrative of the development of Chinese art across all media from the 1970s to the 2000s, a time span characterized by radical social, political, and economic change in China. The book is a richly illustrated and easy-to-navigate chronological survey that considers contemporary...
The Landscape Painting of China
"The Landscape Painting of China: Musings of a Journeyman offers a stunning demonstration of the power of visual-based methodologies in the examination of great art. In it, Chinese landscape painting is explored from the emergence of monumental landscape painting in the ninth century through the artistic transformations of the early seventeenth century. The leading masters--everyone from Jing Hao to Dong Qichang and Chen Hongshou--and the major monuments are subjected to a searching analysis, grounded in detailed observation and a mastery of both the traditional Chinese written source material and contemporary Western, Japanese, and Chinese scholarship."--Publisher's website.
Chinese History
Endymion Wilkinson's bestselling manual of Chinese history has long been an indispensable guide to all those interested in the civilization and history of China. In this latest edition, now in a bigger format, its scope has been dramatically enlarged by the addition of one million words of new text. Twelve years in the making, the new manual introduces students to different types of transmitted, excavated, and artifactual sources from prehistory to the twentieth century. It also examines the context in which the sources were produced, preserved, and received, the problems of research and interpretation associated with them, and the best, most up-to-date secondary works. Because the writing of history has always played a central role in Chinese politics and culture, special attention is devoted to the strengths and weaknesses of Chinese historiography.
Making History
This volume analyzes the cultural origins, precedents, influences and aspirations of the contemporary Chinese artists.
The Full-Length Mirror
Beautifully illustrated, a stirring and wide-ranging reflection on art, technology, culture—and the full-length mirror. This book tells two stories about the full-length mirror. One story, through time and space, crisscrosses the globe to introduce a broad range of historical actors: kings and slaves, artists and writers, merchants and craftsmen, courtesans, and commoners. The other story explores the connections among objects, painting, and photography, the full-length mirror providing a new perspective on historical artifacts and their images in art and visual culture. The Full-Length Mirror represents a new kind of global art history in which “global” is understood in terms of both geography and visual medium, a history encompassing Europe, Asia, and North America, and spanning over two millennia from the fourth century BCE to the early twentieth century.
