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Body – art – performance – philosophy This anthology is dedicated to the theme of bodies – in transition, on thresholds, and at the edges of life. They are discussed in terms of their artistic, political, and existential dimensions. The focus of this artistic-philosophical consideration of the intersection of performance practices and life practices is on processes of emergence, survival, and decay, tracing the emergence of bio- and necropolitics. The book looks at performative (life) cycles and their temporal dimension, emphasizing the moment of dwelling at a threshold or transition, thus spinning a relational textual web. Mariella Greil brings together contributions from the fields of performance, activism, psychoanalysis, and contemporary dance, connecting content and form in a unique way. Following on from the publication Being in Contact: Encountering a Bare Body (2021) A multilayered book with a transparent dust jacket, recycled and transparent paper, inserts, and open thread stitching With contributions by Fiona Bannon, Ashon Crawley, Gurur Ertem, Rebecca Hilton, Pavlos Kountouriotis, and others
John Ewell was born at Scituate, Massachusetts, March 4, 1734. He mar- ried Deborah Bates and she died in 1801. He married for the second time but no name is given. He died October, 1826 at Middlebury, New York.
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The earliest known ancestor of the Whitney family in America was Henry Whitney (1620-1672) who was born in England and immigrated to America in about 1649. One of his children was John Whitney (1644?-1720) who married Elizabeth Smith and was the father of eleven children. Their many descendants live throughout the United States.
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