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Designing Modern Norway: A History of Design Discourse is an intellectual history of design and its role in configuring the modern Norwegian nation state. Rather than a conventional national design history survey that focuses on designers and objects, this is an in-depth study of the ideologies, organizations, strategies and politics that combined might be said to have "designed" the modern nation's material and visual culture. The book analyses main tropes and threads in the design discourse generated around key institutions such as museums, organisations and magazines. Beginning with how British and continental design reform ideas were mediated in Norway and merged with a nationalist sentiment in the late nineteenth century, Designing Modern Norway traces the tireless and wide-ranging work undertaken by enthusiastic and highly committed design professionals throughout the twentieth century to simultaneously modernise the nation by design and to nationalise modern design. Bringing the discussion up towards the present, the book concludes with an examination of how Norway's new-found wealth has profoundly changed the production, mediation and consumption of design.
Novelist Sigrid Undset (1882–1949) left a mark on twentieth-century literature, not only in her homeland of Norway, but across the West. Her painterly eye for the Scandinavian countryside, her uncompromising emotional realism, her concrete sense of history, her bold vision of woman and man—these won her such acclaim that she received the 1928 Nobel Prize for Literature, not long after the publication of her epic historical novel, Kristin Lavransdatter. During World War II, she loudly opposed anti-Semitism and the Nazi regime, and in the final years of her life, the Norwegian state awarded her the Grand Cross of the Order of Saint Olav—the first time this honor was given to a woman outs...
With the aim to write the history of Christianity in Scandinavia with Jerusalem as a lens, this book investigates the image – or rather the imagination – of Jerusalem in the religious, political, and artistic cultures of Scandinavia through most of the second millennium. Volume 3 analyses the impact of Jerusalem on Scandinavian Christianity from the middle of the 18. century in a broad context. Tracing the Jerusalem Code in three volumes Volume 1: The Holy City Christian Cultures in Medieval Scandinavia (ca. 1100–1536) Volume 2: The Chosen People Christian Cultures in Early Modern Scandinavia (1536–ca. 1750) Volume 3: The Promised Land Christian Cultures in Modern Scandinavia (ca. 1750–ca. 1920)
Following art historian Bernard Smith's award-winning autobiographical account of his earlier life ("The Boy Adeodatus: the portrait of a lucky young bastard", first published in 1984) he now reflects on life in the 1940s. Themes recalling the period before the family departed for England in September 1948 include; courtship and marriage; forebodings of war and attitudes to Communism and Fascism; political involvement in cultural activities with artists and emigre European-trained art historians anxious to promote modern art and knowledge of art history (not taught in universities at that time) and early employment at the Art Gallery of New South Wales pioneering the arrangement of travellin...
This book is mainly an English translation of Jón Magnússon's A Story of Sufferings. Magnússon, a seventeenth-century Lutheran priest in Iceland, endured intense physical and mental sufferings, which he attributed to the black magic of three alleged sorcerers. The two male sorcerers were tried, convicted, and burned to death, but the third (a woman) was acquitted. The work may have been written as material for appealing the acquittal of the woman to a higher court. This book also includes a historical introduction, a chronology of Jón Magnússon's life, and the rulings from the trials. Though hardly pleasant to read, A Story of Sufferings is a literary masterpiece in the original. It should be of interest to students of mystical religion and to historians of the witchcraft craze that plagued Europe during the sixteenth and seventeenth centuries.
The Royal manor Avaldsnes in southwest Norway holds a rich history testified by 13th century sagas and exceptional graves from the first millennium AD. In 2011–12 the settlement was excavated. In this first book from the project crucial results from an international team of 23 scholars are published. The chapters cover a wide array of topics ranging from building-remains and scientific analyses of finds to landownership and ritual manifestations.