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The Cultural Sociology of Art and Music
This edited collection develops the Strong Program’s contribution to the sociological study of the arts and places it in conversation with other cultural perspectives in the field. Presenting some of the newest and most original research by both renowned figures and early career scholars, the volume marks a new stage in the development of the cultural sociology of art and music. The chapters in Part 1 set new agendas by reflecting on the field’s history, presenting theoretical innovations, and suggesting future directions for research. Part 2 explores aesthetic issues and challenges in the creation, experience, and interpretation of art and music. Part 3 focuses on the material environments and social settings where people engage with art and music. In Part 4, the contributors examine controversies about music and contestation over artistic matters, whether in the public sphere, in the American judicial system, or in an emerging academic discipline. The editor’s introduction and Ron Eyerman's afterword place the chapters in context and reflect on their collective contribution to meaning-centered sociology.
Long Suffering
An unflinching, illuminating look at three U.S. artists and their performances of suffering
After the Party
Introduction: I wish I knew how it would feel to be free -- Nina Simone and the work of minoritarian performance -- Searching for Danh V's mother -- The Marxism of Felix Gonzalez-Torres -- Entanglements: Eiko's a body in a station -- Tseng Kwong Chi and the party's end -- Epilogue: 6E
Faith
Contributions by Christian Eckart, Eleanor Heartney, Harry Philbrick, Osvaldo Romberg.
Procession
This beautifully illustrated catalogue accompanies the first major museum retrospective of the painter Norman Lewis (1909Ð1979). Lewis was the sole African American artist of his generation who became committed to issues of abstraction at the start of his career and continued to explore them over its entire trajectory. His art derived inspiration from music (jazz and classical) and nature (seasonal change, plant forms, the sea). Also central to his work were the dramatic confrontations of the civil rights movement, in which he was an active participant among the New York art scene. Bridging the Harlem Renaissance, Abstract Expressionism, and beyond, Lewis is a crucial figure in American abs...
All That Glitters
An Economist, Independent and Waterstones Book of the Year pick for 2024 A 2024 Summer Read in the Economist, Telegraph, Guardian, New Yorker, i, and the Evening Standard 'An art world Great Gatsby, deliciously withering and dishy.' Patrick Radden Keefe 'A brilliant, devastating exposé' William Boyd 'Explosive... the inside story of the biggest art fraud in American history' Guardian 'Liar's Poker, but for art' Economist DECEPTION IS A FINE ART. When Orlando Whitfield first meets Inigo Philbrick, they are students dreaming of dealing art for a living. Their friendship lasts for fifteen years until one day, Inigo - by then the most successful dealer of his generation - disappears, accused of a fraud so gigantic and audacious it rocks the art world to its core. A sparklingly sharp memoir of greed, ambition and madness, All That Glitters will take you to the heart of the contemporary art world, a place wilder and wealthier than you could ever imagine.
David Lynch
David Lynch is internationally renowned as a filmmaker, but it is less known that he began his creative life as a visual artist and has maintained a devoted studio practice, developing an extensive body of painting, prints, photography, and drawing. Featuring work from all periods of LynchÕs career, this book documents LynchÕs first major museum exhibition in the United States, bringing together works held in American and European collections and from the artistÕs studio. Much like his movies, many of LynchÕs artworks revolve around suggestions of violence, dark humor, and mystery, conveying an air of the uncanny. This is often conveyed through the addition of text, wildly distorted form...
Christian Scholarship in the Twenty-First Century
The Christian tradition provides a wealth of insight into perennial human questions about the shape of the good life, human happiness, virtue, justice, wealth and poverty, spiritual growth, and much else besides -- and Christian scholars can do great good by bringing that rich tradition into conversation with the broader culture. But what is the nature and purpose of distinctively Christian scholarship, and what does that imply for the life and calling of the Christian scholar? What is it about Christian scholarship that makes it Christian? Ten eminent scholars grapple with such questions in this volume. They offer deep and thought-provoking discussions of the habits and commitments of the Christian scholar, the methodology and pedagogy of Christian scholarship, the role of the Holy Spirit in education, Christian approaches to art and literature, and more. CONTRIBUTORS Jonathan A. Anderson Dariusz M. Brycko Natasha Duquette M. Elizabeth Lewis Hall George Hunsinger Paul K. Moser Alvin Plantinga Craig J. Slane Nicholas Wolterstorff Amos Yong
The Cambridge History of Christianity: Volume 9, World Christianities C.1914-c.2000
A comprehensive history of Christianity in the century when it truly became a global religion.
Henry Ossawa Tanner
“This book constitutes a very welcome contribution to the public appreciation and scholarly study of Henry Ossawa Tanner, a painter of considerable significance in both Europe and America, and one whose religious imagery merits careful consideration. These well-researched essays by an international team of scholars offer substantial reflections on complex issues of race and religion, and situate the artist’s work and career within the context of his life and times. This is a robust framing of Tanner as a cultural phenomenon and one that readers will find quite rewarding.”—David Morgan, Professor of Religion at Duke University and author of The Embodied Eye: Religious Visual Culture a...
