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Four plays by a distinguished Scottish based writer long associated with Edinburgh's Traverse Theatre
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No more beautiful image of the play could have been found. In the long closing suicidal speech, when Mister at last joins the safe majority and lies down beside the effigy of Nelson to become an effigy himself, Eveling draws the strands of imagery together in one of the finest pieces of contemporary dramatic poetry we have heard in a long while.Gavin Miller, The Listener