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"In the course of perhaps twenty-five years of creative productivity (ca. 1180-ca. 1205), Hartmann von Aue authored a dispute about love between the body and the heart, Die Klage (ca. 1180-85), numerous songs of courtly love, crusading songs, and most likely took part in a Crusade himself." "The essays in this volume, written by scholars from North America and Europe, offer insight into many aspects of Hartmann's oeuvre, including the medieval and modern visual and literary reception of his works. The volume also offers considerations of Hartmann and Chretien; Hartmann's putative theological background and the influence of the Bible on his tales; the reflection of his medical knowledge in Der arme Heinrich and Iwein; and a complete survey of his lyric production. Newer avenues of research are also presented, with essays on issues of gender and on the role of pain as a constitutive part of the courtly experience."--Jacket.
Hartmann von Aue (c. 1170&–1215) is universally recognized as the first medieval German poet to create world-class literature. He crafted German into a language of refined literary expression that paved the way for writers such as Gottfried von Strassburg, Walther von der Vogelweide, and Wolfram von Eschenbach. This volume presents the English reader for the first time with the complete works of Hartmann in readable, idiomatic English. Hartmann's literary efforts cover all the major genres and themes of medieval courtly literature. His Arthurian romances, Erec and Iwein, which he modeled after Chr&étien de Troyes, introduced the Arthurian world to German audiences and set the standard for...
This study provides a much needed re-evaluation of the role of pain and suffering in Hartmann von Aue. By critically and carefully combining traditional philology with modern theoretical analysis, drawing on theorists such as Mary Douglas, Michele Foucault, Norbert Elias and Elaine Scarry, the author shows how the 'body' is symbolically structured in Hartmann's work to create a distinctly medieval signification system of pain. This system is analysed through an examination of the physical body and social body of the court, and the harmonious and refined image of courtly society as depicted in Hartmann's work where it is shown that the very ideological system that informs courtly life causes suffering in both the physical and social bodies.
First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Concerned principally to situate Hartmann's works in their social and cultural historical context, Jackson's carefully constructed and lucidly written book will be required and compelling reaading at every level of interest, from undergraduate student to specialist scholar. It expounds knighthood as the major theme of Hartmann's varied oeuvre, reflected and refracted through the prism of different genres, fictional material and narrative positions. Jackson's unrivalled grasp of the historical evidence for the material, social and ideological dimensions of chivalry in the twelfth century is brought to bear on the texts in a way which never reduces these to mere functions of an extra-literary ...
Few stories were as widely known during the Middle Ages as the account of Iwein and Laudine, which appeared in French, Welsh, English, Norse, Swedish, Danish, Icelandic, and two German variants. The older German version, that by the Swabian nobleman Hartmann von Aue, won instant popularity and became a model of form, style, and language for the many courtly epics which his countrymen composed up to the beginning of the modern period. In recent years, his Iwein has enjoyed a remarkable revival among medieval scholars as traditional interpretations have been challenged by new ones.