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Mad Hope
In the stories of Mad Hope, Heather Birrell finds the heart of her characters and lets them lead us into worlds both unrecognizable and alarming. We think we know these people but discover we don't—they are more alive, more real, and more complex than we first imagined. A high school science teacher is forced to re-examine the role he played in Nicolae Ceausescu's Romania after a student makes a shocking request. The uncertainty, anxiety, and anticipation of pregnancy are examined through an online chat group. Parenting is viewed from the perspective of a gay man caring for his friend and her adopted son. A tragic plane crash becomes the basis for a meditation on motherhood and its discontents. Birrell uses precise, inventive language to capture the beautiful mess of being human—and more than lives up to her Journey Prize accolades. Her characters come to greet us, undo us, make us yearn, and make us smile. Heather Birrell is the author of the story collection I know you are but what am I? Her work has been honored with the prestigious Journey Prize for short fiction and the Edna Staebler Award for creative nonfiction.
I Know You Are But What Am I?
'Birrell has a grand eye for the small detail that is the hallmark of a well-made story.' -- The Toronto Star Kleptomaniacs, convicts, roof-walkers and homicidal hippies: populated as they are with lives both ordinary and extraordinary, Heather Birrell's stories pull at the sinews of the strange until the strangeness shapes itself into something familiar. At the same time, they mould the day-to-day into something new and wholly unexpected. Oldrick must come to terms with his ex-girlfriend's new lover and a belligerent barista in the midst of a smelly garbage strike. Young Misha learns about the complexities of grownup love when his mother is bitten by a stingray. Home-schooled Rational gets ...
Float and Scurry
"These poems explore the far-fetchedness and perseverance of love between friends and family members; the importance of libraries and locked mental health wards, and ways of living with meaning in the face of a looming apocalypse."--
Toronto Noir
A multicultural nexus, Toronto hosts Indian, Portuguese, African, Italian, and Chinese communities that provide fertile backdrops for Toronto Noir's corrosive expos s. Features brand-new stories by: RM Vaughan, Nathan Sellyn, Ibi Kaslik, Peter Robinson, Heather Birrell, Sean Dixon, Raywat Deonandad, Christine Murray, Gail Bowen, Emily Schultz, Andrew Pyper, Kim Moritsugu, Mark Sinnet, George Elliott Clarke, Pasha Malla, and Michael Redhill.
Born
What happens when an English teacher goes into labour during a high school lockdown? High school English teacher Elise loves teaching Shakespeare. She is also very pregnant. She’s trapped in a classroom with her Grade 12 students during a lockdown. Anthony, the cause of the lockdown, is roaming the halls with a knife in search of some solace, consumed by thoughts of his best friend Samantha, who is in peril. Maria, the guidance counselor, is second-guessing her decision to turn him in. As the lockdown drags on, Elise can no longer deny that she’s going into labour. And she’ll have to rely on the students to get her through: Shai-Anna and Faduma end up acting as midwives, and the others do what they can. In the same way the self shatters and sharpens when one is doing the hard work of giving birth, so does the narrative of the novel, with various people in the school picking up the threads of the story. With infinite empathy for all involved, Born explores the myriad pitfalls and utopian possibilities of the school system, motherhood, and caregiving, and the sometimes fraught, sometimes transcendent nature of the student-teacher relationship.
The M Word
There isn't a mother who hasn't thought of herself as stationed far outside maternity's central zone--that imaginary place where all the babies are cooing, bananas are never bruised, and every woman is comfortable enough in her own skin to disregard a magazine's blaring provocation: Are You Mom Enough? In this original and sometimes provocative collection of essays, Saleema Nawaz, Alison Pick, Nancy Jo Cullen, Carrie Snyder, and many others explore the boundaries of contemporary motherhood. There are the women who have had too many children or not enough. There are women for whom motherhood is a fork in the road, encountered with contradictory emotions. And there are those who have made the conscious choice not to have children and then find themselves defined by that decision. Here some of Canada's best writers face down motherhood from the other side of the picket fence. The M Word. It means something to every woman. Exactly what it means is rarely simple. -- Provided by publisher.
Lullabies for Little Criminals
'Like Angela Carter, she is relentlessly inventive' Sunday Times 'Full of pathos, spirit and iridescent innocence' Independent on Sunday The first novel by the author of The Lonely Hearts Hotel 12-year-old Baby is used to turmoil in her life. Her mother is long dead, her father is a junkie and they shuttle between rotting apartments and decrepit downtown hotels. As her father's addiction and paranoia grow worse, she begins a journey that will lead her through chaos and hardship; but Baby's remarkable strength of spirit enables her to survive. Smart, funny and determined to lift herself off the city's dirty streets, she knows that the only person she can truly rely upon is herself.
Friend.follow.text
Tales told through texting. Pinterest prose, LinkedIn lit, irony over Instagram - or Facebook flash fiction. Friend. Follow. Text is a short-fiction anthology that explores the intersection between social media and literature. This book brings together highly creative work whose content and form are inspired by social media - great, often funny writing that moves beyond using digital forms as mere gimmicks.
Book Ends
Everyone's favorite "old biddy from Gabriola Island," Naomi Beth Wakan, captures a year of her obsessive reading in her new collection Book Ends. This lively conversation covers almost every genre--fiction, essays, poetry, biography, science and the arts--and Naomi's tart observations on both books and authors frees readers to consider what they actually enjoy reading, rather than what they have been told is good. Naomi's compulsive reading rubs off on the reader, as they are encouraged to become more aware and involved in their own reading selection. Book Ends is a must for any book club member or bibliophile.
