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In the stories of Mad Hope, Heather Birrell finds the heart of her characters and lets them lead us into worlds both unrecognizable and alarming. We think we know these people but discover we don't—they are more alive, more real, and more complex than we first imagined. A high school science teacher is forced to re-examine the role he played in Nicolae Ceausescu's Romania after a student makes a shocking request. The uncertainty, anxiety, and anticipation of pregnancy are examined through an online chat group. Parenting is viewed from the perspective of a gay man caring for his friend and her adopted son. A tragic plane crash becomes the basis for a meditation on motherhood and its discontents. Birrell uses precise, inventive language to capture the beautiful mess of being human—and more than lives up to her Journey Prize accolades. Her characters come to greet us, undo us, make us yearn, and make us smile. Heather Birrell is the author of the story collection I know you are but what am I? Her work has been honored with the prestigious Journey Prize for short fiction and the Edna Staebler Award for creative nonfiction.
"These poems explore the far-fetchedness and perseverance of love between friends and family members; the importance of libraries and locked mental health wards, and ways of living with meaning in the face of a looming apocalypse."--
Kleptomaniacs, convicts, roof-walkers and homicidal hippies: here are children and adults, men and women, all struggling to define themselves. The stories in I know you are but what am I? are like snow domes - perfect little self-contained worlds that you can hold in your hand, turn upside down, shake until meaning settles in a hundred different ways. Young Misha learns about the complexities of grownup love when his mother is bitten by a stingray. Oldrick must come to terms with his ex-girlfriend's new lover and a belligerent barista in the midst of a smelly garbage strike. Bus-bound Marion, in love with a married man, finds solace in conversation with a convict and home-schooled Rational gets a tutor and learns that his 'hunker in the bunker' family isn't quite what he thought it was. 'Heather Birrell's sentences conjure worlds. These stories scintillate. Smart, sharp, alluring, they're full of the chance encounters, mysteries, missed connections and unexpected tenderness of contemporary life.' - Catherine Bush
A multicultural nexus, Toronto hosts Indian, Portuguese, African, Italian, and Chinese communities that provide fertile backdrops for Toronto Noir's corrosive expos s. Features brand-new stories by: RM Vaughan, Nathan Sellyn, Ibi Kaslik, Peter Robinson, Heather Birrell, Sean Dixon, Raywat Deonandad, Christine Murray, Gail Bowen, Emily Schultz, Andrew Pyper, Kim Moritsugu, Mark Sinnet, George Elliott Clarke, Pasha Malla, and Michael Redhill.
What happens when an English teacher goes into labour during a high school lockdown? High school English teacher Elise loves teaching Shakespeare. She is also very pregnant. She’s trapped in a classroom with her Grade 12 students during a lockdown. Anthony, the cause of the lockdown, is roaming the halls with a knife in search of some solace, consumed by thoughts of his best friend Samantha, who is in peril. Maria, the guidance counselor, is second-guessing her decision to turn him in. As the lockdown drags on, Elise can no longer deny that she’s going into labour. And she’ll have to rely on the students to get her through: Shai-Anna and Faduma end up acting as midwives, and the others do what they can. In the same way the self shatters and sharpens when one is doing the hard work of giving birth, so does the narrative of the novel, with various people in the school picking up the threads of the story. With infinite empathy for all involved, Born explores the myriad pitfalls and utopian possibilities of the school system, motherhood, and caregiving, and the sometimes fraught, sometimes transcendent nature of the student-teacher relationship.
'Birrell has a grand eye for the small detail that is the hallmark of a well-made story.' -- The Toronto Star Kleptomaniacs, convicts, roof-walkers and homicidal hippies: populated as they are with lives both ordinary and extraordinary, Heather Birrell's stories pull at the sinews of the strange until the strangeness shapes itself into something familiar. At the same time, they mould the day-to-day into something new and wholly unexpected. Oldrick must come to terms with his ex-girlfriend's new lover and a belligerent barista in the midst of a smelly garbage strike. Young Misha learns about the complexities of grownup love when his mother is bitten by a stingray. Home-schooled Rational gets ...
Dark, cutting, and coursed through with bright flashes of humour, crystalline imagery, and razor-sharp detail, I Become a Delight to My Enemies is a gut-wrenchingly powerful, breathtakingly beautiful meditation on the violence and shame inflicted on the female body and psyche. An experimental fiction, I Become a Delight to My Enemies uses many different voices and forms to tell the stories of the women who live in an uncanny Town, uncovering their experiences of shame, fear, cruelty, and transcendence. Sara Peters combines poetry and short prose vignettes to create a singular, unflinching portrait of a Town in which the lives of girls and women are shaped by the brutality meted upon them and by their acts of defiance and yearning towards places of safety and belonging. Through lucid detail, sparkling imagery and illumination, Peters' individual characters and the collective of The Town leap vividly, fully formed off the page. A hybrid in form, I Become a Delight to My Enemies is an awe-inspiring example of the exquisite force of words to shock and to move, from a writer of exceptional talent and potential.
'Like Angela Carter, she is relentlessly inventive' Sunday Times 'Full of pathos, spirit and iridescent innocence' Independent on Sunday The first novel by the author of The Lonely Hearts Hotel 12-year-old Baby is used to turmoil in her life. Her mother is long dead, her father is a junkie and they shuttle between rotting apartments and decrepit downtown hotels. As her father's addiction and paranoia grow worse, she begins a journey that will lead her through chaos and hardship; but Baby's remarkable strength of spirit enables her to survive. Smart, funny and determined to lift herself off the city's dirty streets, she knows that the only person she can truly rely upon is herself.
There isn't a mother who hasn't thought of herself as stationed far outside maternity's central zone--that imaginary place where all the babies are cooing, bananas are never bruised, and every woman is comfortable enough in her own skin to disregard a magazine's blaring provocation: Are You Mom Enough? In this original and sometimes provocative collection of essays, Saleema Nawaz, Alison Pick, Nancy Jo Cullen, Carrie Snyder, and many others explore the boundaries of contemporary motherhood. There are the women who have had too many children or not enough. There are women for whom motherhood is a fork in the road, encountered with contradictory emotions. And there are those who have made the conscious choice not to have children and then find themselves defined by that decision. Here some of Canada's best writers face down motherhood from the other side of the picket fence. The M Word. It means something to every woman. Exactly what it means is rarely simple. -- Provided by publisher.