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Craig DeMartino never thought this would happen to him. He was 100 feet up a cliff in Rocky Mountain National Park when—with one step—his 13 years of rock climbing experience and 15 pounds of gear plummeted with him to the ground. Expert climbers say that if you fall 10 feet you have a 10% chance of dying, a 20% chance at 20 feet, 30% at 30, and so on. Craig fell 100 feet. By basic calculation, Craig should not be alive today. But he is. For anyone who has been knocked down or run over by life, After the Fall not only offers an engaging read but also provides a clear message of hope: sometimes the greatest gift we can receive isn’t just healing, but the power to endure.
Every mother is special and every mother's relationship with her child is unique, but that doesn't mean that every mother acquires a magical gift when giving birth that allows her to glide effortlessly through the many trials of motherhood on a feather-pillow cloud of petal-pink kisses or powder blue hugs. To your child, you are the World's Best Mom, and living up to that title can be an enormous challenge, but it's a challenge made easier to tackle with a healthy dose of good humor and the benefit of the experiences of others. This delightful book taps into the experiences of scores of women whose stories and anecdotes amuse and delight as they follow their children from infancy, through the growing pains of childhood into the troubled teenage years, and then on into parenthood themselves.
This book explores how Ovid, as the poet-philosopher of the liberty of speech, galvanized poetic innovation in English Renaissance poetry.
Emotional tragedy whisked Heather away from North Carolina Beach to the mountains. Heather hoped her flight was only temporary. Her antagonist was not appeased. Potential revelation of a secret was at risk. After years of happiness, Heather briefly encounters her old nemesis. In a breath, all is lost.
Heather James examines the ways in which Shakespeare handles the inheritance and transmission of the Troy legend. She argues that Shakespeare's use of Virgil, Ovid and other classical sources demonstrates the appropriation of classical authority in the interests of developing a national myth, and goes on to distinguish Shakespeare's deployment of the myth from 'official' Tudor and Stuart ideology. James traces Shakespeare's reworking of the myth in Troilus and Cressida, Antony and Cleopatra, Cymbeline and The Tempest, and shows how the legend of Troy in Queen Elizabeth's day differed from that in the time of King James. The larger issue the book confronts is the directly political one of the way in which Shakespeare's textual appropriations participate in the larger cultural project of finding historical legitimation for a realm that was asserting its status as an empire.
This “clever and satisfying” (Associated Press) #1 international bestseller for fans of Kristin Hannah and Jennifer Chiaverini follows three women who are bound together by a long-lost letter, a mother’s love, and a secret network of women fighting for the right to choose—inspired by true stories. 2017: When Angela Creighton discovers a mysterious letter containing a life-shattering confession, she is determined to find the intended recipient. Her search takes her back to the 1970s when a group of daring women operated an illegal underground abortion network in Toronto known only by its whispered code name: Jane. 1971: As a teenager, Dr. Evelyn Taylor was sent to a home for “fallen...
Palm Springs is the essential source for in-depth travel and relocation information to this beautiful Palm Spring, California. Written by a true insider, it offers a personal and practical perspective of Palm Springs and its surrounding environs.
Politics and Aesthetics in European Baroque and Classicist Tragedy is a volume of essays investigating European tragedy in the seventeenth century, comparing Shakespeare, Vondel, Gryphius, Racine and several other vernacular tragedians, together with consideration of neo-Latin dramas by Jesuits and other playwrights. To what extent were similar themes, plots, structures and styles elaborated? How is difference as well as similarity to be accounted for? European drama is beginning to be considered outside of the singular vernacular frameworks in which it has been largely confined (as instanced in the conferences and volumes of essays held in the Universities of Munich and Berlin 2010-12), but...