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Indian Literature and Popular Cinema
This book is about the popular cinema of North India ("Bollywood") and how it recasts literary classics. It addresses questions about the interface of film and literature, such as how Bollywood movies rework literary themes, offer different (broader or narrower) interpretations, shift plots, stories, and characters to accommodate the medium and the economics of the genre, sometimes even changing the way literature is read. This book addresses the socio-political implications of popular reinterpretations of "elite culture", exploring gender issues and the perceived "sexism" of the North Indian popular film and how that plays out when literature is reworked into film. Written by an internation...
The Goddess as Role Model
This book seeks to understand the major mythological role models that mark the moral landscape navigated by young Hindu women. Traditionally, the goddess Sita, faithful consort of the god Rama, is regarded as the most important positive role model for women. The case of Radha, who is mostly portrayed as a clandestine lover of the god Krishna, seems to challenge some of the norms the example of Sita has set. That these role models are just as relevant today as they have been in the past is witnessed by the popularity of the televised versions of their stories, and the many allusions to them in popular culture. Taking the case of Sita as main point of reference, but comparing throughout with R...
Mobilizing Krishna's World
Savant Singh (1694–1764), the Rajput prince of Kishangarh-Rupnagar, is famous for commissioning beautiful works of miniature painting and composing devotional (bhakti) poetry to Krishna under the nom de plume Nagaridas. After his throne was usurped by his younger brother, while Savant Singh was on the road seeking military alliances to regain his kingdom, he composed an autobiographical pilgrimage account, “The Pilgrim’s Bliss” (Tirthananda); a hagiographic anthology, “Garland of Anecdotes about Songs” (Pad-Prasang-mala); and a reworking of the story of Rama, “Garland of Rama’s Story” (Ram-Carit-Mala). Through an examination of Savant Singh’s life and works, Heidi Pauwels explores the circulation of ideas and culture in the sixteenth through eighteenth centuries in north India, revealing how Singh mobilized soldiers but also used myths, songs, and stories about saints in order to cope with his personal and political crisis. Mobilizing Krishna’s World allows us a peek behind the dreamlike paintings and refined poetry to glimpse a world of intrigue involving political and religious reform movements.
Mobilizing Krishna's World
Savant Singh (1694-1764), the Rajput prince of Kishangarh-Rupnagar, commissioned beautiful miniature paintings and composed devotional (bhakti) poetry to Krishna under the nom de plume Nagaridas. After his throne was usurped, while Savant Singh was on the road seeking military alliances to regain his kingdom, he composed a pilgrimage account, The Pilgrim's Bliss (Tirthanand); an anthology, Garland of Stories and Songs (Pad-prasang-mala); and a reworking of the story of Rama, Garland of Rama's Romance (Ram-carit-mala). Through an examination of Savant Singh's life and works, Heidi Pauwels explores the circulation of ideas and culture in the sixteenth through eighteenth centuries in north India, revealing how Singh mobilized soldiers but also used myths, songs, and stories about saints to cope with his personal and political crises. Mobilizing Krishna's World allows us a peek behind the dreamlike paintings and refined poetry into a world of intrigue Book jacket.
The Voice of the Indian Mona Lisa
The 'Indian Mona Lisa' is an eighteenth-century portrait of the goddess Radha from the Kishangarh school of Rajput Painting. It was purportedly modelled after a young enslaved woman and court-performer, Banī-ṭhanī, who became a concubine of the patron of the painting, crown-prince Savant Singh. Tracing her career, Heidi Pauwels recovers her role as a composer of devotional songs in multiple registers of Classical Hindi and shows how she was a conduit for trend-setting styles from Delhi, including the new vogue of Urdu. Through a combination of literary, historical, and art-historical analysis, she brings to life the vibrant cultural production center of Kishangarh in the eighteenth century by reconstructing how Banī-ṭhanī came to be acclaimed as the devotional poetess Rasikbihārī and as 'India's Mona Lisa'. This major new study conveys important new insights in the history of Hindi literature and devotion, the family, palace women and the social mobility of the enslaved.
Krsna's Round Dance Reconsidered
Concerned with the process in Hinduism of reinterpreting classical texts and imbuing them with new inspiration. An example par excellence is Hariram Vyas's Ras-pancadhyayi, the earliest known Braj Bhasa version of the five chapters of Bhagavatapurana on Krsna's Dance with the Gopis.
Mirabai
Mirabai, an iconic sixteenth-century Indian poet-saint, is renowned for her unwavering love of God, her disregard for social hierarchies and gendered notions of honor and shame, and her challenge to familial, feudal, and religious authorities. Defying attempts to constrain and even kill her, she could not be silenced. Though verifiable facts regarding her life are few, her fame spread across social, linguistic, and religious boundaries, and stories about her multiplied across the subcontinent and the centuries. In Mirabai, Nancy M. Martin traces the story of this immensely popular Indian saint from the earliest manuscript references to her through colonial and nationalist developments to sch...
Patronage and Popularisation, Pilgrimage and Procession
Papers from a symposium held in May, 2007 at the University of Washington in Seattle.
Indian Satire in the Period of First Modernity
Satire reveals fault lines and incongruities between ideal and practice. Satirical discourse may be independent or invade and parody literary genres. It unmasks, ridicules and thereby deconstructs evil and hypocrisy to reconstruct honesty and reason, and at its farthest end may amount to moral utopia. This volume brings together essays on satire in the Indian vernaculars and in painting, mainly from the period of first modernity (ca. mid-fifteenth to mid-eighteenth century). These are framed by a contribution on the more ancient Tamil Jain satire and two essays on colonial satire. Among the contributing researchers are Purshottam Agrawal, France Bhattacharya, Ludwig Habighorst, Hans Harder, Monika Horstmann, Hephzibah Israel, Rohini Mokashi-Punekar, Anne E. Monius, Christina Oesterheld, and Heidi Pauwels.
Women in the Hindu World
Women in the Hindu World explores the role of womanhood in Hindu religious culture and how the faith influences women’s social experiences. Women in the Hindu World encourages readers to develop and nurture their own understanding of the life of a woman as a Hindu. The seven chapters proceed both historically and thematically, exploring abstract philosophical concepts about women, as well as concrete worldly conditions of the lives they lead, from the earliest stages of Hindu society to the present, marking through time the evolving religious roles and social status of women. Hindu women have consistently found in their faith resources for claiming selfhood both within their faith and in s...
