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Material Revolution 2
Following the huge success of Material Revolution, this second volume addresses the rapid development of material research and presents materials new to the market since 2010. The significance of sustainable and intelligent materials in design and architecture has increased enormously over the last two years. Numerous new products have been introduced to the market and designers’ thirst for knowledge about the sustainability of new material is as strong as ever, making a sequel to Material Revolution necessary. The new volume contains a similar system of classification but covers a completely different range of materials. There is a chapter dedicated solely to the criteria and factors of sustainable product design, as well as to innovative projects by designers and architects that work with new materials and technologies.
Scalable Disruptors
None
Impact: Design With All Senses
This book reflects and expands on the current trend in the building industry to understand, simulate and ultimately design buildings by taking into consideration the interlinked elements and forces that act on them. Shifting away from the traditional focus, which was exclusively on building tasks, this approach presents new challenges in all areas of the industry, from material and structural to the urban scale. The book presents contributions including research papers and case studies, providing a comprehensive overview of the field as well as perspectives from related disciplines, such as computer science. The chapter authors were invited speakers at the 7th Symposium “Impact: Design With All Senses”, which took place at the University of the Arts in Berlin in September 2019.
Signage - Spatial Orientation
Interdisciplinary work at the gateway to design
Accents of added value in construction 4.0
The book wants to do justice to the complexity surrounding the Digital Transformation and AI in the Construction Industry. User practice experiences show how digital change can be shaped sensibly and constructively, what kind of methods and technologies do exist or can be developed, which fields of application can be explored, by keeping an eye on risks and opportunities. The book works out key factors and core competencies at all levels, which are decisive both for sustainably using innovative technologies and for setting the Seal of Quality of the Construction Industry at home and abroad.
Architecture and Design for Industry 4.0
This book collects contributions of forefront research and practices related to the use of the enabling technologies of Industry 4.0 in the architecture and design fields and their impact on the UN's Sustainable Developments goals. The book is structured into three sections (research, practice, and technologies), with the goal of creating a new framework useful for widespread awareness necessary to initiate technology transfer processes for the benefit of the public sector, universities, research centers, and innovative companies, and a new professional figure capable of controlling the entire process is essential. Thus, the book chapters arouse a series of relevant topics such as computatio...
Station
A glorious global celebration of modern railway architecture in the mid-20th century and beyond. Many railway books are about nostalgia for the steam age, but this one is different: a global study of railway architecture from the 1950s onwards and into the future. In 50 fascinating entries, renowned travel and architecture writer Christopher Beanland looks primarily at stations but also covers starkly brutalist signal boxes and depots, charming art-adorned undergrounds and international examples of pioneering signage and design. Station explores LA's iconic Union Station, the verdant Atocha Station in Madrid and Warsaw's spectacular modernist stations, but it also includes less familiar exam...
Kunstforschung als ästhetische Wissenschaft
Kunstforschung, künstlerische Forschung oder kunstbasierte Forschung sind derzeit populäre Begriffe - spekuliert werden darf jedoch, was mit ihnen gemeint sei. Der Band konzipiert Kunstforschung als »ästhetische Wissenschaft«, als einen Prozess, der das spezifische Wissen und die Kompetenzen von Künstlern nutzt, um sie in anderen Kontexten als dem Kunstsystem zur Anwendung zu bringen: Künstlerische Kompetenzen und Arbeitsweisen werden mit wissenschaftlichen verwunden, um problemorientiert neues Wissen zu generieren.
