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Survey of the criticism devoted to Gottfried Keller, the important nineteenth-century writer in German. The works of Gottfried Keller (1819-1890) rank alongside those of Goethe and Thomas Mann, yet this volume is the first in any language to examine the critical assessment and scholarly expertise devoted to him, ranging from the early stages of journalistic criticism to the present day. Professor Ruppel begins by exploring the literary industry in the nineteenth century, the literary market place, the tastes of the reading public, and the expectations of editors, before going on to survey representative journalistic assessments of Keller's writing, including critical correspondence from Keller's contemporaries. Subsequent chapters examine in chronological order the most important milestones in Keller scholarship, particularly twentieth-century criticism and the Anglo-American tradition. There is also a brief history of the translations of Keller's works into English, investigating some of the difficulties confronting English translators of Keller's poetically creative German. The study concludes with an overview of recent scholarly assessments covering the past twenty-five years.
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While the decline of the male hero in nineteenth- and twentieth-century literature is usually studied in isolation, Druxes uses a major manifestation of this phenomenon&—the failing power of the Faust myth&—as an interpretive lens through which to illuminate the corresponding rise in the viability of female Faustian heroes or would-be heroes. Her study of the female Faust figure in the realist novels of Stendhal, Gauthier, Keller, James, and the contemporary writer Morgner is further unusual in that she carries out her analyses both against the background of the sociohistorical factors conditioning these female figures and with reference to the mutual interaction of plot and novel form. ...
The Red and the Black covers the major stages in the history of Greek pottery production, both figured and plain, as they are understood today. It provides an up-to-date evaluation of ways of studying Greek pottery and encourages new approaches. There is a detailed analysis of the subject matter of figured scenes covering some of the main preoccupations of ancient Greece: myth, fantasy and everyday life. Furthermore, it sets the artefacts in the context of the societies that produced them, highlighting the social, art historical, mythological and economic information that can be revealed from their study. This volume also covers a hitherto neglected area: the history of the collecting of Greek pottery through the Renaissance and up to the present day. It shows how market values have gradually increased to the high prices of today and goes on to take a closer look at the enthusiasm of the collectors.
Hans Conrad Keller, baptized 1706 and his wife, Barbara Blaar, baptized 1703, emigrated from Wallissellen, Zurich, Switzerland in 1734. Their son, John Casper Keller was born in 1736 and baptized in Lancaster County, Pennsylvania. Conrad later died in Frederick County, Maryland. Descendants lived in Maryland, Alabama, and elsewhere.
A new translation of Gottfried Keller's 1861 At the MythStone (Am Mythenstein) followed by an Afterword by the translator, a timeline of his life and works and an index of his works. This is a philosophical essay related to the "Mythenstein", also called the Schillerstein, which is a natural rock made into a monument to Schiller, located in seelisberg, Switzerland, and standing around 80 feet tall. It is only accessible by boat. The monument had a large inauguration ceremony in 1859, called the Schiller Festival, which Keller attended. It celebrated his greatest story, Wilhelm Tell, which Keller refers to as merely "Tell". Schiller's daughter read his poetry at the proceedings, and Keller describes the event in detail. "Schiller never saw Switzerland in the flesh; but all the more certainly his spirit will walk over the sunny slopes and ride with the storm through the rocky gorges, even after the Mythenstein will finally have long weathered and crumbled."
A brilliant young atheist in Weimar Germany finds himself among Hitler’s inner circle—as his moral conscience—in this debut historical thriller. Hans Keller was always highly intelligent—so much so that he learned to place little value in what the school or church tries to teach him. But after a chance meeting with the charismatic Josef Goebbels, a leader of the burgeoning Nazi Party, atheistic Hans is offered a key role in shaping the future of the new Germany: providing essential influence within the Catholic Church. As the nation prepares for war, Hans finds himself gaining power in a shadowy world of manipulation and deceit. He soon rises to a level of ultimate status—and ultimate compromise—as Hitler’s personal priest. In this original thriller full of fascinating period detail, author and former priest S. J. Tagliareni offers a rare window into the psychological and moral conflicts raised by Nazi Germany and the Holocaust.