Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Farewell to the Priestly Writing? The Current State of the Debate
Now available in English In discussions of the origin of the Pentateuch, the Priestly source traditionally constitutes an undisputed reference point for different source-critical models, and it is the only literary layer with concise terminology and a theological conception that can be extracted from a non-Priestly context. This English translation of Abschied von der Priesterschrift? Zum Stand der Pentateuchdebatte revisits the scholarly debate surrounding the Documentary Hypothesis and the so-called Priestly material’s position either as an independent written source or as a redaction within the books of Genesis through Deuteronomy. Contributors include Christoph Berner, Erhard Blum, Jan Christian Gertz, Christoph Levin, Eckart Otto, Christophe Nihan, and Thomas Römer.
Grace, Talent, and Merit
Poor students experienced a kind of upward mobility that was not uncommon in old-regime Europe. They were also objects of controversy. and as such they reveal the many dimensions of the issue of opening careers to talent. At stake were socially and politically sensitive questions about the relative importance of nature and nurture, of natural talent and 'birth', in realizing human potential; about the proper reconciliation of collective imperatives and individual freedom, of hierarchical stability and progress; about how national systems of education should be structured; about the kind and degree of upward mobility the society and the culture needed and could tolerate. This 1988 book shows how a cluster of familiar eighteenth-century ideas about grace, talent, and merit shaped a formative social experience for men whose importance is still celebrated today, as well as for members of the educated elite who were and have remained obscure.
The Renewal of Pagan Antiquity
A collection of essays by the art historian Aby Warburg, these essays look beyond iconography to more psychological aspects of artistic creation: the conditions under which art was practised; its social and cultural contexts; and its conceivable historical meaning.
Chaos from the Ancient World to Early Modernity
Chaos is a perennial source of fear and fascination. The original "formless void" (tohu-wa-bohu) mentioned in the book of Genesis, chaos precedes the created world: a state of anarchy before the establishment of cosmic order. But chaos has frequently also been conceived of as a force that persists in the cosmos and in society and threatens to undo them both. From the cultures of the ancient Near East and the Old Testament to early modernity, notions of the divine have included the power to check and contain as well as to unleash chaos as a sanction for the violation of social and ethical norms. Yet chaos has also been construed as a necessary supplement to order, a region of pure potentialit...
Robert
In the novel’s Preface, the Author states: “In a few short words, the content of the book is this: A boy dedicates himself to the clerical profession with the fire of childlike enthusiasm, the youth goes astray in his profession, and the man, ‘because not all flowering dreams ripened,’ has the notion of giving it up and ‘fleeing to the desert.’ Yet Heaven has decided otherwise. With resignation he comes back to himself and begins again to believe in his calling. Besides this, everything which is presented in the book belongs partly to the characteristics of the hero appearing in it, partly to the characteristics of our time chiefly with regard to religious, ecclesiastical, and especially clerical matters.”
Practicing Progress
The essay reads an Enlightened and modern critique of progress in Mozart's Cosi fan tutte. With numerous references to other operas and texts, and with a storyline that emphasizes inevitable, yet mutable aspects of human nature, Cosi presents an ambivalent picture of the ways in which even the most disinterested and best-informed attitude toward the past can affect the future. At the same time, the opera seems to embrace the notion of freedom of choice without rejecting tradition or repetition. The essay also comments on the performance of Cosi in Zurich in 2000, conducted by Nikolaus Harnoncourt, who often works with authentic period instruments.
