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Pārthāyaṇa
For more than a millennium, the poets of Java and Bali have celebrated their deities, their patrons and the cult of beauty and love through the writing of kakawin. The Parthayana ("The Journeying of Partha") is a kakawin written in Bali in the early eighteenth century in honour of the Dewa Agung of Klungkung, Surawirya (d.1736). It relates the physical and spiritual journey of the Pandawa hero, Arjuna, as he undertakes a period of exile lasting twelve years and describes his romantic adventures. This edition of the Parthayana, together with an English translation and commentary provides insights into the practice of kakawin composition in Bali and places it in the wider context of Balinese literature.
Bali in the Early Nineteenth Century
In Bali in the Early Nineteenth Century Helen Creese offers an account of the earliest Dutch-Balinese encounter together with an edition of the first ethnography of the island, Pierre Dubois’ Légère Idée de Balie en 1830/Sketch of Bali in 1830.
Women of the Kakawin World
In this fascinating study the lives and mores of women in one of the least understood but most densely populated areas of the world are unveiled through the eyes of generations of court poets. For more than a millennium, the poets of the Indic courts of Java and Bali composed epic kakawin poems in which they recreated the court environment where they and their royal patrons lived. Major themes in this poetry form include war, love, and marriage. It is a rich source for the cultural and social history of Indonesia. Still being produced in Bali today, kakawin remain of interest and relevance to Balinese cultural and religious identities. This book draws on the epic kakawin poetry tradition to ...
A Lasting Vision
A Lasting Vision is dedicated to the Mirror of Literature (Kavyadarsa), a Sanskrit treatise on poetics composed by Dandin in south India (c. 700 CE), and to the treatise's remarkable career throughout large parts of Asia. The Mirror was adapted and translated into several languages spoken on the southern Indian peninsula (Kannada, Tamil) and on the Island of Sri Lanka (Sinhala, Pali), as well as in the Tibetan plateau far to the north (Tibetan, Mongolian). In all these receiving cultures it became a classical text and a source of constant engagement and innovation, often well into the modern era. It also travelled to Burma and Thailand, where it held a place of honor in Buddhist monastic edu...
From Lanka Eastwards
The Kakawin Ramayana, arguably the oldest Old Javanese epic text in Indic metres (circa 9th century AD), holds a unique position in the literary heritage of Indonesia. The poem has retained a remarkable vitality through the centuries in the Archipelago, inspiring many forms of artistic expression not only in the domain of literature but also in the visual and performing arts, from the reliefs of the majestic Central Javanese temples to modern puppet-show performances. Displaying a virtuoso array of metrical patterns, the Kakawin Ramayana is among the very few Old Javanese texts for which a specific Sanskrit prototype has been identified, namely the difficult poem Bhattikavya (circa 7th centu...
Indonesian Manuscripts from the Islands of Java, Madura, Bali and Lombok
Indonesian Manuscripts from the Islands of Java, Madura, Bali and Lombok is an original, pioneering, and richly illustrated work that discusses hitherto unaddressed features of manuscript traditions of these islands. The extensive description of palm-leaf manuscripts in particular opens up avenues for further study.
Traces of the Ramayana and Mahabharata in Javanese and Malay Literature
Local renderings of the two Indian epics Ramayana and Mahabharata in Malay and Javanese literature have existed since around the ninth and tenth centuries. In the following centuries new versions were created alongside the old ones, and these opened up interesting new directions. They questioned the views of previous versions and laid different accents, in a continuous process of modernization and adaptation, successfully satisfying the curiosity of their audiences for more than a thousand years. Much of this history is still unclear. For a long time, scholarly research made little progress, due to its preoccupation with problems of origin. The present volume, going beyond identifying sources, analyses the socio-literary contexts and ideological foundations of seemingly similar contents and concepts in different periods; it examines the literary functions of borrowing and intertextual referencing, and calls upon the visual arts to illustrate the independent character of the epic tradition in Southeast Asia.
The Materiality and Efficacy of Balinese Letters
The Materiality and Efficacy of Balinese Letters examines traditional uses of writing on the Indonesian island of Bali, focusing on the power attributed to Balinese script. The approach is interdisciplinary and comparative, bringing together insights from anthropological and philological perspectives.
Inequality, Crisis and Social Change in Indonesia
Indonesia has experienced a quick succession of new governments and fundamental reforms since the collapse of Suharto's dictatorial regime in 1998. Established patterns in the distribution of wealth, power and knowledge have been disrupted, altered and re-asserted. The contributors to this volume have taken the unique opportunity this upheaval presents to uncover social tensions and fault lines in this society. Focusing in particular on disadvantaged sectors of Balinese society, the contributors describe how the effects of a national economic and political crisis combined with a variety of social aspirations at a grass roots level to elicit shifts in local and regional configurations of power and knowledge. This is the first time that many of them have been able to disseminate their controversial research findings without endangering their informants since the demise of the New Order regime.
Lost Times and Untold Tales from the Malay World
This book brings together a group of international scholars, inspired by the scholarly perspective of Australian philologist Ian Proudfoot, who look at calendars and time, royal myths, colonial expeditions, printing, propaganda, theater, art, Islamic manuscripts, and many more aspects of Malayan history.
