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Helen Johnson: Warm Ties
Warm Ties accompanies the first public solo exhibition of Australian artist Helen Johnson. The artist weaves and overlays historical and contemporary signifiers creating points of tension and reflection through the medium of painting. In this exhibition, the complex colonial relationship between Australia and Britain is dealt with on the level of the body, using large-scale paintings that have become purposefully disassembled installations throughout the space. With texts by Stephen Gilchrist and Helen Hughes.
Helen Johnson-Lord
None
Helen Johnson Baby Book
Baby book kept for Helen Gaylord Johnson. Contains some prompted information, such as a list of gifts and weights over time, as well as journal entries of her childhood illnesses.
Canadian Wild Flowers; Selections from the Writings of Miss Helen M. Johnson, With a Sketch of Her Life
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Canadian Wild Flowers: Selections from the Writings of Miss Helen M. Johnson
Canadian Wild Flowers is a biography about the reflective and religious musings of the introspective and thoughtful Miss Helen M. Johnson. Readers will enjoy these nuanced and dreamy ideas about God and life. Excerpt: "It was at "The Outlet" of this lake there was born, Oct. 27, 1834, Helen Mar, the youngest daughter of Abel B. and Polly JOHNSON; and there she spent—except the time devoted to attending or teaching school—almost her entire life. Of cities she knew nothing by experience, but as her reading was extensive she knew much of the world by mental surveys. The book of Nature was her delight. Its illustrations of stones and streams, lakes and rivers, mountains and forests, birds and flowers, were ever attractive to her."
The Invisible Woman
‘Stylish and wittily written ... a brilliant read that should encourage us all to challenge the cult of youth, and learn to love ourselves a little more along the way.’ My Weekly There’s nothing middle-of-the-road about middle age. From coping with bodies that are ‘heading south’ to rampant ageism in the workplace, this time in our lives, in the words of Bette Davis, ‘is no place for sissies’. From family, finances and work to cosmetics, fashion and sex, 60-year-old Helen Walmsley-Johnson – the irrepressible voice behind the much-loved Guardian column ‘The Vintage Years’ – shows, with warmth and a wicked sense of humour, how we can reinvent middle age for the next generation of women.
Helen Kendrick Johnson
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
