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Helen Levitt
A collection of sixty-seven photographs of the urban and semiurban areas of Mexico city taken in 1941
Helen Levitt
"If ever anyone was born to be a photographer, Helen Levitt was. Looking at these pictures triggers that tingling feeling you get from photographs by artists like Lartigue, Kertesz, and Cartier-Bresson: a feeling that the camera is less an expertly operated tool than the seamless extension of a mind and body that are preternaturally alert to the world." -The New York Times "Levitt's photographs, like her city, though occasionally they rise to beauty, are mostly too quick for it. Instead, they have the quality of frozen street-corner conversation: she went out, saw something wonderful, came home to tell you all about it, and then, frustrated, said, 'You had to be there,' and you realize, look...
Crosstown
Capturing the diverse culture and street life of New York with pioneeringhotographs, from 1930s Harlem to black-and-white images from the 1980s and990s, a stunning collection pays homage to this acclaimed photographer.
One, Two, Three, More
Helen Levitt's earliest pictures are a unique and irreplaceable look at street life in New York City from the mid-1930s to the end of the 1940s. There are children at play, lovers flirting, husbands and wives, young mothers with their babies, women gossiping, and lonely old men. A majority of these photographs have never been published. Other pictures included in this book are now world-famous, now part of the standard history of photography. Together they provide a record of New York not seen since Levitt's pioneering solo show at The Museum of Modern Art in 1943. Levitt's photographs are in some of the best photography collections in America, including: The Met, MoMA, The Smithsonian, Museum of Fine Arts Houston, and the Art Institute of Chicago.
Helen Levitt
A close reading of Helen Levitt's famous photograph of three children at play on a New York stoop Helen Levitt's (1913-2009) photographs from the 1930s and 1940s of the communities of New York City's Harlem are startling achievements of street photography. They catch the evanescent configurations of gesture, movement, pose and expression that make visible the street as surreal theater, and everyday life as art and mystery. The unguarded life of children at play became, understandably, Levitt's particular preoccupation. Levitt resisted political readings of her work, and distanced herself from the progressive impulses of social documentary photography. But class, race and gender are everywhere at work in Levitt's images. The diffidence and deceptive artlessness of the images also hide her devotion to both popular and avant-garde cinema, attention to the work of other photographers and frequenting of New York's museums and galleries. Here, Shamoon Zamir, Professor of Literature and Art History at New York University Abu Dhabi, examines the different registers and contexts of Levitt's work through a reading of New York, one of Levitt's iconic images.
Here and There
Featuring over 90 never-before-published photographs, this collection, as with 'Crosstown' before it, is an intimate record of streetlife in New York.
Helen Levitt
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Slide Show
World-renowned for her iconic black and white street photographs, New York City's visual poet laureate Helen Levitt also possesses a little-known archive of colour work, which has been collected for the first time sin Slide Show. This book presents more than a hundred images, more than half of which have never been published or exhibited before. This impressive monograph is a worthy successor to her magnum opus, Crosstown, which included the largest collection of images to date. A truly definitive and marvellous collection of images from this master of the lens.
In the Street
Photobook chiefly containing over 100 photos of children's street drawings and messages, taken between 1938 and 1948. Each photograph was selected and arranged by the photographer.
Mean Streets
The black and white photos in Mean Streets, collected here in print for the first time, offer a look at the infamously hardscrabble NYC in the 70s and 80s captured with the deliberate and elegant eye that propelled Grazda to further success. In the late 1970s and early 80s, the institutions of power in New York had failed. A bankrupt city government had sold its power over to the banks, and the financiers' severe austerity programs gutted the city's support systems. Most of the city's traditional industries had already left, and those power brokers in charge of the new system retreated to their high rises and left the streets to the hustlers, preachers, and bums; the workers struggling to ge...
