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Exposed
Recognizing that voyeurism has inspired photographers since the inception of the medium, this text reveals the myriad ways in which artists have probed its fascinations, dangers & cultural significance. Imagery, ranging from the 1870s to the present day, presents a shocking, illuminating & witty perspctive on the iconic & taboo.
American Geography
Drawing from the vast photography collection at the San Francisco Museum of Modern Art, American Geography charts a visual history of land use in the United States From the earliest photographic records of human habitation to the latest aerial and digital pictures, from almost uninhabited desert and isolated mountainous territories to suburban sprawl and densely populated cities, this compilation offers an increasingly nuanced perspective on the American landscape. Divided by region, these photographs address ways in which different histories and traditions of land use have given rise to different cultural transitions: from the Midwestern prairies and agricultural traditions of the South, to...
Exposed
Catalogue published in conjunction with an exhibition held at the Tate Modern, London, May 28 to October 3, 2010; San Francisco Museum of Modern Art, October 30, 2010 to April 17, 2011; and Walker Art Center, Minneapolis, May 21 to September 11, 2011.
Helen Levitt
A collection of sixty-seven photographs of the urban and semiurban areas of Mexico city taken in 1941
John Szarkowski
- Accompanying the photographs will be excerpts from a life-time's correspondence giving a glimpse of Szarkowski's perspective on life and photography. Curator Sandra Phillips contributes an introductory essay. - The exhibition will open at the San Francisco Museum of Modern Art in February 2005 to national fanfare in honor of Szarkowski's 80th birthday, and will travel to the Museum of Modern Art, New York, as well as several other venues into 2006. - John Szarkowski is the author of many classic works including Looking at Photographs, The Photographer's Eye, Photography Until Now, The Work of Atget, Winogrand, Irving Penn, and Ansel Adams at 100.
André Kertész
Presents a sampling of Kertesz's photographs and examines the development of his career
Eudora Welty as Photographer
A centennial consideration of the great author's vision as expressed in her renowned photography
Evidence
Larry Sultan and Mike Mandel began working collaboratively together in 1973 while graduate students at the San Francisco Art Institute. They work together on occasional projects that include artists' books, exhibitions and public art.
Richard Learoyd 2018-2007
Bringing together more than 70 photographs from the past ten years, this luxurious volume includes Learoyd's (born 1966) widely acclaimed portraits of clothed or nude models, made with the massive camera obscura that he built in his studio, which produces one-of-a-kind color photographs. Sandra S. Phillips writes of these portraits: "There is something incontrovertibly present in the people he photographs; they are more alive, more beautiful, and more fallible?even more vulnerable?than the people we see in most pictures.0Also featured are landscapes made in California, England and Spain, as well as still lifes of animals and flowers. Presenting the highlights of Learoyd's career, and organized in reverse chronological order, this volume shows how Learoyd's images are rooted in the history of art, but were made with the intention of challenging the authority of painting.00Exhibition: Fundación MAPFRE Garriga Nogués , Barcelona, Spain (05.06.-08.09.2019) / Fotomuseum, The Hague, The Netherlands (05.10.2019-05.01.2020).
Rineke Dijkstra
This volume is the first comprehensive monograph on Rineke Dijkstra to be published in the United States, accompanying the first U.S. mid-career survey of this important Dutch artists work in photography and video. The catalogue features the Beach Portraits and other early works such as the photographs of new mothers and bullfighters, together with selections from Dijkstras later work, including her most recent video installations. Also featured are series that the artist has been working on continuously for years, such as Almerisa (1994), which documents a young immigrant girl as she grows up and adapts to her new environment. Exhibition curators Jennifer Blessing, Senior Curator, Photography, Solomon R. Guggenheim Museum, and Sandra S. Phillips, Senior Curator of Photography, San Francisco Museum of Modern Art, contribute essays accompanied by an interview with the artist by Jan van Adrichem, selected interviews with several of the artists subjects, and entries on the artists series by Chelsea Spengemann, as well as the most comprehensive exhibition history and bibliography to date.
