Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Love, H
"It works, we're in business, yeah Babe!" So begins this remarkable selection from a forty-year correspondence between two artists who survived their time as wives in the Beat bohemia of the 1960s and went on to successful artistic careers of their own. From their first meeting in 1960, writer Hettie Jones—then married to LeRoi Jones (Amiri Baraka)—and painter and sculptor Helene Dorn (1927–2004), wife of poet Ed Dorn, found in each other more than friendship. They were each other's confidant, emotional support, and unflagging partner through difficulties, defeats, and victories, from surviving divorce and struggling as single mothers, to finding artistic success in their own right. Re...
Love, H
"Love, H "is an intimate selection of letters from a forty-year correspondence between writer Hettie Jones and painter and sculptor Helene Dorn, who both survived their time as wives in the Beat bohemia of the 1960s and went on to successful artistic careers of their own.
Selected Letters
For Charles Olson, letters were not only a daily means of communication with friends but were at the same time a vehicle for exploratory thought. In fact, many of Olson's finest works, including Projective Verse and the Maximus Poems, were formulated as letters. Olson's letters are important to an understanding of his definition of the postmodern, and through the play of mind exhibited here we recognize him as one of the vital thinkers of the twentieth century. In this volume, edited and annotated by Ralph Maud, we see Olson at the height of his powers and also at his most human. Nearly 200 letters, selected from a known 3,000, demonstrate the wide range of Olson's interests and the depth of his concern for the future. Maud includes letters to friends and loved ones, job and grant applications, letters of recommendation, and Black Mountain College business letters, as well as correspondence illuminating Olson's poetics. As we read through the letters, which span the years from 1931, when Olson was an undergraduate, to his death in 1970, a fascinating portrait of this complex poet and thinker emerges.
Love, Loosha
At the time of her death in 2004, Lucia Berlin was known as a brilliant writer of short stories, beloved by other writers but never achieving wide readership or acclaim. That changed in 2015 with the publication of A Manual for Cleaning Women, a collection of some of her best work. Almost overnight, Lucia Berlin became an international bestseller. Love, Loosha is the extraordinary collection of letters between Lucia Berlin and her dear friend, the poet and Broadway lyricist Kenward Elmslie. Written between 1994 and 2004, their correspondence reveals the lives, work, and literary obsessions of two great American writers. Berlin and Elmslie discuss publishing and social trends, political correctness, and offending others and being offended. They gossip. They dish. They entertain. Love, Loosha is an intimate conversation between two friends—one in which we are invited to participate, and one that will give fans of Lucia Berlin and Kenward Elmslie much pleasure and fresh insight into their lives and work.
Edward Dorn
After initiating a critical involvement with new poetics in dialogue with his mentor Charles Olson at Black Mountain College in the 1950s, Dorn wandered the trans-mountain West following the variable winds of writing and casual employment until the mid-1960s, when a time of trial and change resulted in the beginnings of the groundbreaking long poemGunslinger. This first biography by his longtime friend and fellow poet Tom Clark—author of previous biographies of Jack Kerouac, Ted Berrigan, Charles Olson and Robert Creeley—offers a record of Dorn's life and work drawing upon fresh testimony, letters and unpublished manuscript material provided by surviving family members.
Amiri Baraka & Edward Dorn
The letters of Amiri Baraka and Edward Dorn offer a vivid picture of American lives connecting around poetry during a tumultuous time of change and immense creativity.
Women in Independent Publishing
Women in Independent Publishing is a collection of interviews with and resources about women actively engaged in small-press publishing between the 1950s and the 1980s. The interviewees include Hettie Jones, Margaret Randall, Bernadette Mayer, and many others. The scope and range of the interviews showcase a variety of types of publishing possible within the small press community. These interviews illuminate the unifying and diverging elements between multiple publishing “scenes” and reveal their particularities and commonalities. Women in Independent Publishing is a timely and urgent documentation of literary history and reveals and celebrates the multifaceted roles of women editors and publishers and the communities they built. The book includes a critical introduction, an afterword by contemporary small-press publisher M. C. Hyland and a robust resources section that provides further paths for reading and literary recovery.
Never by Itself Alone
Through its comprehensive history of post-war queer writing in Boston and San Francisco from the 1940s through the 21st century, Never By Itself Alone provides a new view of queer history. Grundy intertwines analysis of lesbian, gay, and queer literature of the time, centering voices which have not yet before been explored in existing criticism. The book elevates the underrepresented work of writers of color and those with gender-nonconforming identities, underscores the link between activism and literature, and insists upon the vital importance of radical accounts of race, class and gender in any queer studies worthy of the name
Merely Being There Is Not Enough
Despite the advent of second wave feminism in the late 1960s, it took more than twenty years before feminist literary criticism started to pay attention to the complex role of women Beat writers. Merely Being There Is Not Enough theorizes the memoirs of Diane di Prima, Joyce Johnson, Hettie Jones, and Brenda Frazer, and analyzes their contributions to the Beat movement. Among the writings of female Beat authors, the memoir has become the most commonly used literary genre. At the height of the Beat movement, Frazer published Troia: Mexican Memoirs in 1969, the same year that saw the publication of di Prima's Memoirs of a Beatnik . Most female Beat voices, however, remained astonishingly silen...
The Selected Letters of Robert Creeley
"Robert Creeley is one of the most celebrated and influential of the postwar American poets. His Selected Letters, covering the years 1945-2005 are a foundational document in the recent history of North American letters. Through his engagements with mentors such as William Carlos Williams and Ezra Pound; peers such as Charles Olson, Robert Duncan, Denise Levertov, Allen Ginsberg, and Jack Kerouacl and mentees such as Charles Bernstein, Anselm Berrigan, Ed Dorn, Susan Howe, and Tom Raworth, Creeley helped forge a new poetry that re-imagined writing for his and subsequent generations. A stylist of the highest order, Creeley's letters carry the clear mark of consummate literary artistry and document the life, work, and times of one of our greatest writers"--
