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The Algerian War in French/Algerian Writing
This book will enlighten readers on the importance of literature in contributing to historical knowledge. Will provide readers with comprehensive understanding of the development of writing by French authors of Algerian origin, from its emergence in the 1980s to the present day. Emphasizes the contemporary relevance of the Algerian War and the afterlives of empire on twenty-first century society and culture.
Hexagonal Variations
Hexagonal Variations provides an essential overview of key debates about contemporary French society and culture. Concise, challenging and comprehensive, its chapters each address the processes of change and redefinition that characterise France today. Contributors analyse and situate cinematic, literary, online and visual texts, mediatic, political and everyday discourses, in each case pinpointing how diversity, plurality and reinvention inflect cultural and social evolution in France. The chapters in the collection share a key set of thematic concerns and raise topics for debate among scholars and students alike. Central to these are questions about France’s uncertain place and role in Europe and the wider world; the morphing topography of its capital; and the many conundrums posed by the persistence of Republican paradigms in a global environment. If France is no longer the exception, what are the versions and varieties of being French that are lived, thought and imagined in the new millennium?
Two Women: Anyentyuwe and Ekâkise
Anyentyuwe (an Mpongwe) and Ekâkise (a Benga) are feminists for their time, although their fathers set them on another path before they are age ten. The former is brought to Baraka mission for education and safekeeping. Soon orphaned, she feels enslaved by the mission. Ekâkise's father offers her to a nearby clan to prepare for marriage, she soon learns. Feeling enslaved, she later flees to Batanga mission to escape spousal abuse. Medical missionary, Dr. Nassau, and his educator sister Isabella, are involved in two different and very controversial attempts to help victims become survivors. Robert had to retire early, but with Isabella, they author "Two Women." Finding no willing publisher, the typescript has been at Lincoln University since 1911. Dr. Henry Bucher's commentary comprises two-thirds of this work-- a bridge between history and culture. Two Women is a rich resource for those interested in African history, colonialism, gender studies, missiology, anthropology, and more.
Subversive Subjects
Subversive Subjects: Reading Marguerite Yourcenar is the first collection of articles in English to deal with many of this very private author's best-known works. Its contributors make use of a variety of literary theories to probe the complex ambiguities at the heart of Yourcenar's writings. Each contributor ventures beyond traditional readings of Yourcenar's complex texts, pushing against the boundaries of interpretation that the Belgian-born writer carefully established. Many of the essays read like a mystery; hence they follow Yourcenar's call for rigorous explications du texte as they probe her complex ouevre. Judith Holland Sarnecki is Associate Professor of French at Lawrence University. Ingeborg Majer O'Sickey is Associate Professor of German and Women's Studies at the State University of New York, Binghamton.
Branding the 'Beur' Author
This text reconsiders authorship by the descendants of North African immigrants to France by consulting how these authors' novels have been discussed and promoted in the national audio-visual media.
The Documentary Imagination in Twentieth-century French Literature
Studying works by authors including Gide, Breton, Aragon, Yourcenar, Duras, and Modiano, this volume re-thinks twentieth-century French literature and engages with the question of distinctions between the factual and the fictional.
HIV Stories
Elizabeth A. Kaye specializes in communications as part of her coaching and consulting practice. She has edited Requirements for Certification since the 2000-01 edition.
Autobiography as a Writing Strategy in Postcolonial Literature
Autobiography, a fully-recognised genre within mainstream literature today, has evolved massively in the last few decades, particularly through colonial and postcolonial texts. By using autobiography as a means of expression, many postcolonial writers were able to describe their experiences in the face of the denial of personal expression for centuries. This book is centred around the recounting and analysis of such a phenomenon. Literary purists often reject autobiography as a fully-fledged literary genre, perceiving it rather as a mere life report or a descriptive diary. The colonial and postcolonial autobiographical texts analysed in this book refute such perceptions, and demonstrate a subtle combination of literary qualities and the recounting of real-life experiences. This book demonstrates that colonial and postcolonial autobiographical texts have established their ‘literarity’. The need for postcolonial authors to express themselves through the ‘I’ and the ‘me’, as subjects and not as objects, is the essence of this book, and confirms that self-affirmation through autobiographical writing is indeed an art form.
Nowhere is Perfect
"Utopian imaginings undoubtedly satisfy a desire for fantasy and escape. At the same time, however, they are generally anchored in the real world, whose shortcomings they criticise, implicity or explicity, and for which they purport to offer solutions. The creation of perfect imaginary worlds therefore serves as a means of acting on the imperfect present. This is a particular feature of French utopian writing, whose rich tradition continues to grow, inspiring authors from all parts of the Francophone world. As the essays in this volume demonstrate, the utopian - and dystopian - imaginings which constitute that tradition find expression through all genres and modes of creation. What they have in common, though, is a dissatisfaction with contemporary society and a determination to explore possibilities for a better life."--BOOK JACKET.
Reciprocity
Jean-Paul Delamotte A.M. (1931-2019) was a French writer and film producer who visited Australia in 1974, and promptly engaged with translating and promoting Australian culture through its films and books. This book celebrating his life, is a mosaic of memories that cover his zeal for a reciprocity between France and Australia, the creation of the Association Culturelle Franco-Australienne with his wife Monique in Paris, and their total immersion and engagement in aiding visiting Australian writers, filmmakers, artists, musicians, academics and students. He claimed: 'Love of one's country coupled with love of one's chosen and adopted culture is a seductive and rewarding course to follow' (Re...
