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Being Chinese
This is the story of a quest I began three decades ago – the search for my Chinese identity. The path I travelled was not linear, and the years brought pain as well as joy. But, while this is a narrative about being Chinese and also a New Zealander, I know that the search for purpose and meaning in life is universal. I hope that others in our culturally diverse society will find their own ways to embark on that same journey. Helene Wong was born in New Zealand in 1949, to parents whose families had emigrated from China one or two generations earlier. Preferring invisibility, she grew up resisting her Chinese identity. But in 1980 she travelled to her father’s home village in southern Chi...
The Color of Tea
An exciting debut novel set in the exotic, bustling streets of coastal China about a woman whose life is restored when she opens a small café and gains the courage to trust what’s in her heart. Macau: the bulbous nose of China, a peninsula and two islands strung together like a three-bead necklace. It was time to find a life for myself. To make something out of nothing. The end of hope and the beginning of it too. After moving with her husband to the tiny, bustling island of Macau, Grace Miller finds herself a stranger in a foreign land—a lone redhead towering above the crowd on the busy Chinese streets. As she is forced to confront the devastating news of her infertility, Grace’s mar...
The Art of Film Acting
This guide for actors and directors develops a valid method for training performers to act from their core--whether they are cold reading, auditioning, or performing for film or television. This book teaches actors how to achieve and respond to believable and honest emotions before the camera, and it maintains that the key to a successful performance lies in how the actors relate to one another and to the circumstances. Exercises, including script examples, throughout the book give readers an easy resource for practicing the principles outlined. The Art of Film Acting applies a classic stage acting method (Stanislavsky) to the more intimate medium of performing before a camera, teaching readers to experience an emotion rather than to indicate it.
Old Asian, New Asian
A 2010 Human Rights Commission report found that Asian people reported higher levels of discrimination than any other minority in New Zealand. K. Emma Ng shines light onto the persistence of anti-Asian sentiment in New Zealand. Her anecdotal account is based on her personal experience as a second-generation young Chinese-New Zealand woman. When Asian people have been living here since the gold rushes of the 1860s, she asks, what will it take for them to be fully accepted as New Zealanders?
The Colour of Tea
An exciting debut novel set in the exotic, bustling streets of coastal China about a woman whose life is restored when she opens a small café and gains the courage to trust what’s in her heart. Macau: the bulbous nose of China, a peninsula and two islands strung together like a three-bead necklace. It was time to find a life for myself. To make something out of nothing. The end of hope and the beginning of it too. After moving with her husband to the tiny, bustling island of Macau, Grace Miller finds herself a stranger in a foreign land—a lone redhead towering above the crowd on the busy Chinese streets. As she is forced to confront the devastating news of her infertility, Grace’s mar...
Directory of World Cinema: Australia and New Zealand 2
Building on and bringing up to date the material presented in the first instalment of Directory of World Cinema: Australia and New Zealand, this volume continues the exploration of the cinema produced in Australia and New Zealand since the beginning of the twentieth century. Among the additions to this volume are in-depth treatments of the locations that feature prominently in the countries’ cinema. Essays by leading critics and film scholars consider the significance of the outback and the beach in films, which are evoked as a liminal space in Long Weekend and a symbol of death in Heaven’s Burning, among other films. Other contributions turn the spotlight on previously unexplored genres and key filmmakers, including Jane Campion, Rolf de Heer, Charles Chauvel and Gillian Armstrong. Accompanying the critical essays in this volume are more than one hundred and fifty new film reviews, complemented by film stills and significantly expanded references for further study. From The Piano to Crocodile Dundee, Directory of World Cinema: Australia and New Zealand 2 completes this comprehensive treatment of a consistently fascinating national cinema.
Native Son
This is the second volume of memoir by this remarkable Maori writer and of the living myths that inspired him at the beginning of his career. Look at him, the young man on the cover. The year is 1972, he is 28, his first book is about to be published, and he has every reason to kick up his heels. But behind that joyful smile, and the image of a writer footing it in the Pakeha world, there is another narrative, one that Witi has not told before. The story of a native son, struggling to find a place, a voice and an identity, and to put a secret past to rest. This sequel to his award-winning memoir picks up where Maori Boy stopped, following Witi through his triumphs and failures at school and university, to experimenting sexually, searching for love and purpose and to becoming our first Maori novelist. It continues in the same vein as the first volume, which was described by a reviewer as ‘a rich, powerful, multi-layered and totally unique story . . . something every New Zealander should read’.
Laughing at the Dark
From the best-selling and acclaimed author Barbara Else, Laughing at the Dark is a funny, moving memoir about how she rebelled against being a ‘good girl’. By the time she was in her forties, Barbara was married to a globally recognised academic physician and had two beautiful teenage daughters. As her writing career developed, her husband became angry at the prospect of her being anything but a housewife. In a moment of madness — or realisation — she packed her car and took off to live with the man who would become her second husband. With her trademark wit and humour, Barbara poignantly describes her transformation from a shy but stubborn child into a fulfilled and successful adult. ‘I laughed and laughed, and I cried and cried. It’s got everything in it except a murder.’ — Lesley Graham, soprano (and totally unbiased sister)
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Leaping Upon the Mountains
Presenting the first real investigation of what male sexual assault survivors themselves identify as most important during various stages of recovery, Leaping upon the Mountains contains powerfully moving contributions from hundreds of men of all ages and backgrounds throughout the United States and 45 other countries. It is not a work of fiction, but a compilation of many truths, many realities a quilt pieced together from men's experiences forming an impressively triumphant pattern. Taken together, they state, lucidly and forcefully, that recovery work produces changes that are real, important, and permanent. Leaping upon the Mountains is a celebration of successful recovery. Readers of Leaping upon the Mountains will discover: Insights and resources for all stages of recovery Encouraging and inspiring messages from other male survivors A large updated resource section providing concrete help to survivors and professionals Ways of reconnecting with their own strength and creativity"
