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Sculpture and Enlightenment
This volume explores the ways in which the aesthetics of public art were affected by the social, political, and cultural changes of the Enlightenment.
Architectural Conservation Studio
The book provides a series of reflections on the study of architectural preexistences that have matured during the almost thirty-five years of study and research in Italy and Europe. Furthermore, it shows how the discipline of restoration of monuments is all based in architecture, intended in its many-faceted meanings. The methodical approach to the restoration of historic architecture consists in the historical-critical analysis, central nucleus of the study of architecture and is composed by specific in-depth thematic sessions (the historical iconography; the analysis of the constructive features; the constructive model; the volumetric layout; metrological and proportional analysis; the th...
The Rome of Pope Paschal I
A exploration of Paschal I's building campaign that illuminates the relationship between the material world and political power in medieval Rome.
Beholding Violence in Medieval and Early Modern Europe
Interested in the ways in which medieval and early modern communities have acted as participants, observers, and interpreters of events and how they ascribed meaning to them, the essays in this interdisciplinary collection explore the concept of beholding and the experiences of individual and collective beholders of violence during the period. Addressing a range of medieval and early modern art forms, including visual images, material objects, literary texts, and performances, the contributors examine the complexities of viewing and the production of knowledge within cultural, political, and theological contexts. In considering new methods to examine the process of beholding violence and the...
Theory and History of Conservation
The book aims to provide the ability to approach restoration of historic architecture in a methodical way starting from basic concepts in terminology. In the different chapters will be addressed the theoretical aspects of restoration: stylistic restoration, Anti-Restoration, Historic Restoration, Scientific/Philological Restoration (in the first volume), the Critical Restoration, the Critical-Conservative Restoration, the Pure Conservation, maintenance/repair and currents trends (in the second volume). The history of conservation will be studied in different historical periods, countries, in different conceptions and through its main protagonists. The Charters of Restoration will be described and studied. The next volume will present the current trends in restoration. With contributions by Susana Mora Alonso-Muñoyerro and Ignacio Mora Moreno
Bernini and the Bell Towers
In 1638, Gianlorenzo Bernini began the ambitious architectural project of designing and constructing massive twin bell towers atop St. Peter's basilica. But the project failed spectacularly. This volume tells the story of the bell towers, presenting both visual and documentary evidence.
The Life of Gian Lorenzo Bernini
"A critical translation of the unabridged Italian text of Domenico Bernini's biography of his father, seventeenth-century sculptor, architect, painter, and playwright Gian Lorenzo Bernini (1598-1680). Includes commentary on the author's data and interpretations, contrasting them with other contemporary primary sources and recent scholarship"--Provided by publisher.
Gold, Silver, and Bronze
An in-depth look at the exquisite metal sculpture of the Roman baroque Roman baroque sculpture is usually thought of in terms of large-scale statues in marble and bronze, tombs, or portrait busts. Smaller bronze statuettes are often overlooked, and the extensive production of sculptural silver—much of which is now lost but can be studied from drawings—is frequently omitted from the histories of art. In this book, Jennifer Montagu enriches our understanding of the sculpture of the period by investigating the bronzes that adorn the great tabernacles of Roman churches; gilded silver, both secular and ecclesiastical; elaborately embossed display dishes; and the production of medals. Concentrating on selected pieces by such master sculptors as Bernini and leading metal-workers such as Giovanni Giardini, Montagu examines the often tortuous relationship between patrons and artists and elucidates the relationship between those who provided the drawings or models and the craftsmen who executed the finished sculptures.
Giotto and His Publics
This probing analysis of three works by Giotto and the patrons who commissioned them goes far beyond the clichés of Giotto as the founding figure of Western painting. It traces the interactions between Franciscan friars and powerful bankers, illuminating the complex interplay between mercantile wealth and the iconography of poverty. Political strife and religious faction lacerated fourteenth-century Italy. Giotto’s commissions are best understood against the background of this social turmoil. They reflected the demands of his patrons, the requirements of the Franciscan Order, and the restlessly inventive genius of the painter. Julian Gardner examines this important period of Giotto’s pa...
An Architecture of Education
Examines material culture and the act of institution creation, especially through architecture and landscape, to recount a deeper history of the lives of African American women in the post-Civil War South.
