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Coping with Versnel
Henk Versnel's work in the field of ancient religion has been seminal: this volume explores and celebrates his oeuvre in honour of the 80th birthday, based on a roundtable held in Oegstgeest on 7 and 8 October, 2016.
Magic and Ritual in the Ancient World
This volume contains a series of provocative essays that explore expressions of magic and ritual power in the ancient world. The strength of the present volume lies in the breadth of scholarly approaches represented. The book begins with several papyrological studies presenting important new texts in Greek and Coptic, continuing with essays focussing on taxonomy and definition. The concluding essays apply contemporary theories to analyses of specific test cases in a broad variety of ancient Mediterranean cultures. Paul Mirecki, Th.D. (1986) in Religious Studies, Harvard Divinity School, is Associate Professor of Religious Studies at the University of Kansas. Marvin Meyer, Ph.D. (1979) in Religion, Claremont Graduate School, is Professor of Religion at Chapman University, Orange, California, and Director of the Coptic Magical Texts Project of the Institute for Antiquity and Christianity.
Coping With the Gods
Abandoning monolithic approaches and embracing the possibility of inconsistencies and incongruities in Greek thought, behaviour, and culture, this book investigates how ancient Greeks could validate the complementarity of dissonant, if not contradictory, representations in e.g.polytheism, theodicy, divine omnipotence and ruler cult.
Ancient Christians and the Power of Curses
Ancient Christians and their non-Christian contemporaries lived in a world of 'magic.' Sometimes, they used curses as ritual objects to seek justice from gods and other beings; sometimes, they argued against them. Curses, and the writings of those who polemicized against curses, reveal the complexity of ancient Mediterranean religions, in which materiality, poetics, song, incantation, and glossolalia were used as technologies of power. Laura Nasrallah's study reframes the field of religion, the study of the Roman imperial period, and the investigation of the New Testament and ancient Christianity. Her approach eschews disciplinary aesthetics that privilege the literature and archaeological remains of elites, and that defines curses as magical materials, separable from religious ritual. Moreover, Nasrallah's imaginative use of art and 'research creations' of contemporary Black painters, sculptors, and poets offer insights for understanding how ancient ritual materials embedded into art work intervene into the present moment and critique injustice.
Inconsistencies in Greek and Roman Religion. 1, Ter Unus
This is the first of a two-volume collection of studies in inconsistencies in Greek and Roman religion. Their common aim is to argue for the historical relevance of various types of ambiguity and dissonance. The first volume focuses on the central paradoxes in ancient henotheism. The term 'henotheism' -- a modern formation after the stereotyped acclamation: #EIS O QEOS# ("one is the god"), common to early Christianity and contemporaneous paganism -- denotes the specific devotion to one particular god without denying the existence of, or even cultic attention to, other gods. After its prime in the twenties and thirties of this century the term fell into disuse. Nonetheless, the notion of henotheism represents one of the most remarkable and significant shifts in Graeco-Roman religion and hence deserves fresh reconsideration.
Ancient Love Letters
This volume investigates the form of love letters and erotic letters in Greek and Latin up to the 7th Century CE, encompassing both literary and documentary letters (the latter inscribed and on papyrus), and prose and poetry. The potential for, and utility of treating this large and diverse corpus as a ‘genre’ is examined. To this end, approaches from ancient literary criticism and modern theory of genre are made; mutual influences between the documentary and the literary form are sought; and origins in proto-epistolary poetic texts are examined. In order to examine the boundaries of a form, limit cases, which might have less claim to the label ‘love letter’, are compared with more c...
Panthée: Religious Transformations in the Graeco-Roman Empire
Panthée presents a collective reflection relating to the changes that affected the Graeco-Roman Empire and over the long term altered its religious landscapes. Fifty years after the foundation of the series EPRO, the volume aims to avoid the division between the supposedly "Roman" or "Graeco-Roman" and the "Oriental" by linking the available information relating the different major areas, such as the relation between local and global, the place of emotions in relation to soteriological and initiatory aspects, strategies of integration and negotiation of identities. For the first time the leading specialists in every field bring their approaches into contact with one another, and jointly con...
Nemo non metuit
"Nemo Non Metuit": Magic in the Roman World has the ambitious goal of discussing some of the fundamental themes in the development of the idea of magic, in all its facets, in the long chronological span of the Roman world, between the 8th century BCE and the 5th century CE. At the same time, this volume is the result of a team effort that has brought together both accomplished scholars and young researchers at the beginning of their scholarly careers. Altogether, this ample work is the result of a synergy that brought together different approaches to the study of Roman magic. The broad content of this volume includes studies on magical gems of Etruscan, Greek and Phoenician background; curse...
Faith, Hope and Worship
Preliminary material /H. S. Versnel -- RELIGIOUS MENTALITY IN ANCIENT PRAYER /H. S. VERSNEL -- GIFTS FOR THE GODS /F. T. VANSTRATEN -- RELIGIOUS HISTORY AS THE HISTORY OF MENTALITY: THE 'BELIEVER' AS SERVANT OF THE DEITY IN THE GREEK WORLD /H. W. PLEKET -- GREEK HYMNS /J. M. BREMER -- PHILOSOPHERS, INTELLECTUALS AND RELIGION IN HELLAS /P. A. MEIJER -- Indices /H. S. Versnel -- Plates /H. S. Versnel.
