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Touching the Passion — Seeing Late Medieval Altarpieces through the Eyes of Faith
In Touching the Passion — Seeing Late Medieval Altarpieces through the Eyes of Faith, Donna Sadler explores the manner in which worshipers responded to the carved and polychromed retables adorning the altars of their parish churches. Framed by the symbolic death of Christ re-enacted during the Mass, the historical account of the Passion on the retable situated Christ’s suffering and triumph over death in the present. The dramatic gestures, contemporary garb, and wealth of anecdotal detail on the altarpiece, invited the viewer’s absorption in the narrative. As in the Imitatio Christi, the worshiper imaginatively projected himself into the story like a child before a dollhouse. The five senses, the sculptural medium, the small scale, and the rhetoric of memory foster this immersion.
The Stripping of the Altars
This prize-winning account of the pre-Reformation church recreates lay people's experience of religion, showing that late-medieval Catholicism was neither decadent nor decayed, but a strong and vigorous tradition. For this edition, Duffy has written a new introduction reflecting on recent developments in our understanding of the period. "A mighty and momentous book: a book to be read and re-read, pondered and revered; a subtle, profound book written with passion and eloquence, and with masterly control."--J. J. Scarisbrick, The Tablet "Revisionist history at its most imaginative and exciting. . . . [An] astonishing and magnificent piece of work."--Edward T. Oakes, Commonweal "A magnificent scholarly achievement, a compelling read, and not a page too long to defend a thesis which will provoke passionate debate."--Patricia Morison, Financial Times "Deeply imaginative, movingly written, and splendidly illustrated."--Maurice Keen, New York Review of Books Winner of the Longman-History Today Book of the Year Award
Lumen
Sumptuously illustrated with dazzling objects, this publication explores the ways art and science worked hand in hand in the Middle Ages and Renaissance. Through the manipulation of materials, such as gold, crystal, and glass, medieval artists created dazzling light-filled environments, evoking, in the everyday world, the layered realms of the divine. While contemporary society separates science and spirituality, the medieval world harnessed the science of light to better perceive and understand the sacred. From 800 to 1600, the study of astronomy, geometry, and optics emerged as a framework that was utilized by theologians and artists to comprehend both the sacred realm and the natural worl...
Touching, Devotional Practices, and Visionary Experience in the Late Middle Ages
This book addresses the history of the senses in relation to affective piety and its role in devotional practices in the late Middle Ages, focusing on the sense of touch. It argues that only by deeply analysing this specific context of perception can the full significance of sensory religious experience in the Late Middle Ages be understood. Considering the centrality of the body to medieval society and Christianity, this collection explores a range of devotional practices, mainly relating to the Passion of Christ, and features manuscripts, works of devotional literature, art, woodcuts and judicial records. It brings together a multidisciplinary group of scholars to offer a variety of method...
Domestic Devotions in Medieval and Early Modern Europe
Domestic devotion has become an increasingly important area of research in recent years, with the publication of a number of significant studies on the early modern period in particular. This Special Issue aims to build on these works and to expand their range, both geographically and chronologically. This collection focuses on lived religion and the devotional practices found in the domestic settings of late medieval and early modern Europe. More particularly, it investigates the degree to which the experience of personal or familial religious practice in the domestic realm intersected with the more public expression of faith in liturgical or communal settings. Its broad geographical range (spanning northern, southern, central and eastern Europe) includes practices related to Christianity, Judaism and Islam. This Special Issue will be of interest to historians, art historians, medievalists, early modernists, historians of religion, anthropologists and theologians, as well as those interested in the history of material religious culture. It also offers important insights into research areas such as gender studies, histories of the emotions and histories of the senses.
From the Material to the Mystical in Late Medieval Piety
Examining correlations between the material and the mystical, this books investigates collective writing and devotional culture in late medieval piety.
The Beauty of Belief
The Beauty of Belief sheds new light on Lutheran relationships with ecclesiastical decoration in southwest Germany following the Duchy of Württemberg’s Reformation in 1534. Based on extensive original archival research and engagement with surviving images and objects, Róisín Watson compellingly demonstrates how Lutherans moved away from initial acts of iconoclasm and towards embracing the possibilities of the religious image in their devotional routines. She explores the interactions of Württemberg rulers, pastors, and congregations with their ecclesiastical spaces across the political upheavals of the sixteenth and seventeenth centuries. In doing so, this book tells not only the story of the visual culture of the Reformation, but an account of Württemberg’s Reformation itself.
The Construction of Witchcraft in Early Modern Denmark, 1536-1617
This book examines how the experience of witchcraft developed and evolved from the Lutheran Reformation of Denmark in 1536 to the celebration of the Lutheran centennial of 1617. As well as exploring witchcraft, this volume is a portrait of Denmark and how religion and politics in the 16th and 17th centuries were impossible to separate. It was in this period from 1536 to 1617 that witchcraft went from an offence condemned in the Bible and prohibited in the medieval Law of Jutland, to being described in detail as the worst of crimes. Witchcraft evolved from being defined as imposing harm to someone or something, to being a mockery of God. Approaching the theme from the new history of experienc...
The Rise and Fall of Christian Ireland
The Irish experience of Christianity has never been simple or uncomplicated. Here, Crawford Gribben describes the ancient emergence, long dominance, sudden division, and recent decline of Ireland's most important religion, as a way of telling the history of the island and its peoples, from earliest times to the present day.
Religion as an Agent of Change
Throughout the history of mankind religion has been a creative and innovative factor of great strength, able to change societies, create new cultures, and shape strong identities. In Religion as an Agent of Change leading historians and Church historians discuss religion as a driving force in historical development on the basis of three particular cases from the history of Christianity in Western Europe: the Crusades, the Reformation, and Pietism. The empirical case studies in the book present important results and viewpoints from new research in these three historical phenomena, to a large degree undertaken in our own generation, thus establishing a solid foundation for further scholarly discussions about the role of the Christian religion as a driving force in history. Contributors are: Arne Bugge Amundsen, Ole Peter Grell, Martin H. Jung, Thomas Kaufmann, Fred van Lieburg, Christoph T. Maier, Peter Marshall, Hugh McLeod, Jonathan Phillips, Felicitas Schmieder, and John Wolffe.
